Tag Archives: Collaboration

The Porch Swing: Character Series

Character Series: The Adventurs of SnakeMan Jones, Vol. II, by Samuel Bostick.

SnakeMan Jones is back!! This is Vol. II of Samuel’s short story The Adventurs of SnakeMan Jones. Vol. I was featured a couple weeks back, and we’re super excited to see this project continue to build and expand. Check it!

Volume II

The Adventurs of SnakeMan Jones

As dawn reached its rosey fingers upward and pulled above the horizon, the Gnomads set the attack. Wasting no time they caught the morning breeze as it lifted and moved across the south side of the island. With the wind strong at their tail and the greed growing dark into the depths of their hearts they ascended upon StaggMoreFalls. Seeing the port ahead, the Gnomad Captain let loose the order for the crew to set up and prepare for a full on attack. With swiftness of motion the commanding mates kicked their respective bands into gear.

The artillery was first to be set, cannons loaded with no lack of extra rounds positioned at the side of the mechanic catapults. There were 12 on each side of the ship, 24 in all. Next in position were the ground force, set up in small groups—5 each. There were 3 lean mates, one squad leader and one Brawny giant in each set. There were 3 small boats on each side of the ship, 6 total, which allowed for each of them to reach shore and set havoc to the content of their malicious hearts.  Finally the ship bound mates, archers and deck hands prepared their places. The archers took post on the 3 masts of the ship and set aiming measures from a distance. They unbound their arrows and bowed them, stretching the hide strings taunt and holding for further instruction. The crew that were to man the ship took the oars and rowed with all their might, the others that were set to stay post close to the Captain and tend to his orders did so.

The Captain let out a loud groan of a yell and the entire crew called back. Their blood rushed. Again the Captain let out the yell and again they responded—the anticipation and energy grew as they built the hype and pulled closer to the shore. One last time the captain let out his shout and the crew responded. This was the green light. He ordered first for the ground attack to launch, and then called for the archers and cannons to shoot as soon as the boats hit land. They did just that. As soon as the 6 boats rammed against the shore and the 30 men reached the pebbly coast and began to climb up the green landscape the archers set flame to their arrows and let them loose. Only a second later the cannons burst, kicked and recoiled…smoke filled the lungs of the shooters as the heavy lead projected out toward the island. It had started. Ill intention was closing in on the town and commotion was soon to spread across the land.

In that moment the StaggMoreFallians had converged in the center of the island and began to commence the morning celebrations. Again, everyone was in attendance – Women, children, and men, young and old alike—all of course except for the monks who had dedicated their time to attending the fireworks and preparing the show for the evening. There were rows of heavy oak tables and benches, amber in color, set with wreaths so lush they shined as if they still had morning dew on them.  Each table had a center piece, built upward toward the heavens and mounted with a three set stock of the golden poppies that the Full Moon Festival was intended to celebrate. The scene was as elegant as the moon that would rise that night and light the day’s most revered moments.

The torches were being lit and the ceremony commenced, in that same moment the arrows hit, one after another, wave after wave. Without warning cannonballs boomed into the buildings and homes that were located in the center of the island. The first and most natural response was shock. A split second later they realized that they were under attack and began to move into a panic. The women and men grabbed their children and held each other tight as they ran toward anywhere that looked safe and didn’t bear holes from the cannon or flame from the arrows. Screams and cries filled the once peaceful air as the people ran and the chaos grew.

The Gnomads were empowered by the wildness of the scene and the people who were usually a peaceful folk quickly set post and created a militia as best as they could. There was one young man who stood out as leader among the ranks, his name was Chad-sama. He had never been in battle; still, his intuition and boldness made him a natural leader.

As the 30 Gnomads ran up and invaded the festival space, the village set to fight back. The women and children built post at the houses and armed themselves with anything that could do damage. The men had divided themselves into five squads of 20 and took on the invaders from each side as they entered. They were no match though. The Gnomads were highly skilled in head on attacks and well experienced in combat. Chad-sama realized that even though his team was greater in numbers that the Gnomads were advancing with incredible force. Even as the islanders fought as hard as they could they found themselves constantly being backed down by the attack. Chad-sama took quick notice and with determination at his heels he swiftly broke from the pack, grabbed one of the torches and slipped away up the nearest hill. There at the base of the hill he met one of the monks who were in charge of the evening’s firework ceremony. They spoke quickly and as the monk understood the growing urgency of the situation he provided direction and urged Chad-sama along his way.

He began the climb. First moving along the narrow path at the bottom of the hill and up into the mouth of the forest selvage, then racing through and through the muddy way. As he climbed deeper into the hill and ascended up the lengths of the land the heat and steam of the humidity met his face, nose and mouth with its smolder of earth and foliage pressing into his lungs. Further and further he went, as his companions battled below against invasion, his fight was against that hill. He took on the mountain for all it was worth. The large leaves reached out to impede his path, vines grabbed at his limbs, fallen branches tugged at his feet and from time to time his face would be blasted with a flurry of bugs that had swarmed in the path. Finally he made it to the top and wasting no time he set the torch aflame and shot one of the large explosives into the air.

The firework shot into the sky and plumed bright red and spread across the heavens. Another one shot up even higher and exploded with a large yellow plume into the sky. One more went up and out with a bang. This time a sparkling champagne blue—with a sigh of relief Chad-sama send his prayers up to the heavens the same as he did the three pluming flares and hoped that some sort of help would come by divine guidance.

SnakeMan Jones was taking his bike on a morning spin as he caught glimpse of the high off plumes. They struck him as odd and something inside moved him to cruise a bit closer and investigate. As he often preferred to be alone, he had never been to the island, still he had seen the celebration many years and never had a firework climbed the sky before nightfall.

Chad-sama took his last breaths to regain his strength at the top of the hill and began his descent. Jones routed himself to close in on the island just to check in on the rare sighting. In the same moment that Chad-sama reached the bottom of the hill SnakeMan heard the commotion from the island and saw the ship harbored at the south dock. As the arrows and cannons continued to rain onto the island and the celebration, Jones felt the anger swell up within him. His face down to his fingertips and feet all burned instantly with anger and that intensity fueled his ambition directly towards the ship. His vision was red as he sped past the cove where the Gnomads had hid out the night before and his grip on the bars of his bike was vice tight.

The closer he got to the Gnomads ship and the more he realized the havoc that had been taking place on the island the less his senses connected and his primal instincts heightened. As he approached the ship he increased his speed and with a fury even he himself had never known he busted into the ship with his bike and tore a hole in the side of the vessel. Wood planks, dust and water sprayed everywhere. His eyes glowed. Quickly the hole began to fill with water and the bottom level of the ship began to flood. Jones revved his engine and spun round for further wreckage. Without a thought, he was sure he would finish what the Gnomads had started.

His eyes were as red as an angry autumn moon and his spirit aflame with rage.

To be continued…

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing Live from the Gowanus

It’s back! Check the link below for The Porch Swing Live from the Gowanus, by Reflection and Response resident artist Samuel Bostick. This is Samuel’s second live, one-take audio recording for The Porch Swing. Lookout for more to come!

The Porch Swing Live

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing: Character Series

Character Series: The Adventurs of SnakeMan Jones, by Samuel Bostick.

This is a new sort of writing experience and I feel like its off to a good start. This project actually originated as a collaboration piece with a student of mine who was often drawing these really fantastic monsters and such. I told him that I would write a story about the monsters he drew and this is the first of that run. On this past Saturday, I showed him the monster I had reworked and gave him a brief of the beginning of The Adventurs of SnakeMan Jones. After studying the piece and seeing the development of the collaboration, he gave his 2 thumbs up approval and said he likes where the character and story are headed. This has been a really exciting adventure and experiment. Enjoy it!

SnakeMan

SnakeMan Jones

Volume I

The Adventurs of SnakeMan Jones

A man of mystery—legend with no history; nobody knows from where he came nor the origin of such a fearsome frame. Early one morning he was seen, rolled in heavy and broke onto the scene. Thas what the people tell…

Moving with speed beyond comprehension

 A chilling sight a cold body on that motorbike

 Cutting through the fog, powered by an action of fury

Smooth locomotion. What is this beast?

A man, monster in stature, and His Bike moving over both land and sea—traverse any terrain.  One of a kind partnership, built stacked with power and presence.

Widely respected, Deeply feared

A rebel with a particularity for justice…

On this particular day, he became fame. The sun rose orange in red as blood over the endless sea Azu-Blue.  There was a ship, that housed a hoard of ruthless creatures that drifted from place to place appeasing their taste for treasure. They were known as The Gnomads; a collection of lost souls fated for doom. They were looking for trouble and they sure found it.

There in the Azu-Blue was a well known island town, StaggMooreFalls, a beautiful place: botanically lush, tropical colored birds and fish, wild dogs and boars, joyous inhabitants—a peaceful place booming with life. It was early spring and the streams and falls swelled with water. Freshly melted water pouring down from the mountains as the ice snow melted and winter washed away. This was the best time to be at StaggMooreFalls. The town was especially festive as the people prepped for the annual celebration known as the Full Bloom Festival.  There was a flower, a poppy with pollen that was pure gold, and it was the one night in the year that the islands rare flower would open up under the full moon. This flower only grew on StaggMooreFalls and nowhere else in the world. This flower was said to have magic powers. That night they were going to make wishes and dance through the night around a grand campfire. Both the flower and the moon would be in full bloom, and that’s how the celebration got its name.  It was a time to celebrate the year past and that one ahead. It was a carnival, a jubilee! The island was well known round those parts because the Full Bloom Festival had such a rich reputation.

Knowing that the town would be prepping for the celebration and preoccupied with their happiness, the Gnomads plotted to invade the island and loot all the treasures, food, and women. They were a rustic sort of scourge with simple craving for anything of value that could be stolen. It was the night before the Full Bloom Festival everyone on StaggMooreFalls was working hard, from the children to the elder folk, preparing for the carnival. The Gnomads slipped in, sailing under the nightfall, and hid out in a harbor cave.

Meanwhile, SnakeMan Jones was swinging loungely in his hammock on a small remote island off the North side of StaggMooreFalls. He was counting the stars, or trying to at least, with a jar of his favorite spirit in hand. Coat draped over the stake that held the hammock in position and boots dropped in the sand next to where he rest. Toes wiggling in the night’s cool breeze; he got tired of counting, his sight moved to the humble fire and right next to it was His Bike. With a quick swigg from the jugg, he admired it—His Bike—freshly detailed and waxed…he loved to spend time tending his few prized possessions. If he wasn’t shining the bike, he was conditioning the boots, or sharpening the sword blade, or polishing up his helmet.  Softly lulled by the rhythmic rocking of the hammock in the wind, Jones dozed off…

A curious lizard scuttled over and lapped up a bit of the spirits that had splashed by the wayside onto a rock…tempted by the shine as the moon reflected into it, almost full. After there was no more liquid to lap there were only swaying tracks, zigg zagged in the sand to testify of the visitors taste for mischief.

With the passing of a few slow hours, the blood orange sun crested above the horizon and blazed onto the Azu-Blue. StaggMooreFalls woke extra early and conducted a grand breakfast feast, the Gnomads wiped the sleep from their eyes and rubbed their hands together with greedful intention on the rise, Snake Man Jones rolled off the hammock, threw his feet into the boots and laced them up. He grabbed his coat and sword then pulled his helmet down over his head as he jumped on His Bike—an easy start to a fateful day.

 

To be continued…

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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Solitude Live Looping Berkeley Video

Happy Monday! Today we take it back to Berkeley (Rose and California for those that know) and bring you a video of me doing the new version of “Solitude,” on the Novation Launchpad running through my old Fender guitar amp. Vicken set up the iPhone camera and we gave it one shot. Word to Claudia for the soulful vocals and lyrics recorded in Buenos Aires!  Those of you that made it out to the show at Wurlitzer were able to see this in action. I hope you feel it!

Reflection and Response

-P

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Shake This Maze: Tools of the Trade VIDEO

It’s been a long time comin, but today marks the release of our Shake This Maze Tools of the Trade VIDEO!! With this project we have taken our Patchwork audio-visual collaboration approach and applied it to itself.

The video content was filmed throughout the process of handcrafting the album cases for Shake This Maze. This documents the stages of cutting, stenciling, writing, folding, gluing, and packaging that went into bringing the 100 physical copies of STM to life.

Meanwhile, about a month ago, P brought out a couple of creative remixes that he based off of various tracks from the album. One of these remixes appears in the soundtrack of the video, along with a few other cuts from the album.

From the Leon studio to the Brooklyn workbench, from music to art, the Tools of the Trade Video sees the Patchwork process double down on itself and spin out through film.

This is a LIFESTYLE studios production.

Shake This Maze: Tools of the Trade from the LIFESTYLE on Vimeo.

Here’s an additional link for YouTube.

Much love to yall for the support!

Reflection and Response.

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Snapshots from the Collective: _________________

________________ by ________   _________

The Snapshots From the Collective series provides a venue for photography with an emphasis in Reflection and Response. If you have any contributions to the series please free to email us some pics at the.lifestyle.rr@gmail.com. Photos will only be used for this series. Thank you and we look forward to submissions!!!

-P & V

Reflection and Response.

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Patchwork: Jade Eyes

Patchwork: Jade Eyes

Jade Eyes

These jade eyes are straight lies that bind us / These jade eyes  (x4)

These jade eyes are straight lies that bind us/ One mind we design our own island/ Or so I thought as I thrust my paw on her/ Didn’t think that I could do her such dishonor/ Back away and I nod my head/ These pretty lights can really play and they’re rocking it/ And these kids eat it up like Lox and spread/ As the clock is lost and we forget our beds/ The jade eyes stay with me and I see her/ Kissing on the dude who arrived in the beamer/ Guess I had weak pop tonight Elisa Steamer/ The jade just caught the light and all disappears/ But she stays florescent cold as December in this northern state that’s the greyest in the hemisphere/ Just like lemmings I follow the trap/ Wonder if she gets off on withholding that vag because

These jade eyes are straight lies that bind us / These jade eyes (x4)

Contradiction many been up her blouse/ But my fingers are some splinters she can do without/ This week’s been weak grime and grout/ Games every day every way tagged out/ But I’m glad for the no’s the strep and the colds/ The effect of the soul/ Is it’s left invincible/ Try me all you want these jade eyes still haunt me/ Thought if I got her I’d find some sense of belonging/ After the show all filed out to rides home/ Chose to feign fatigue said peace to the folks/ Got home restless with the image in my mind/ Of her curves her shirt and her perfect jade eyes/ And I dealt with it the only way I know how/ With the guitar and drums turned up way too loud/And as all else slept and tired of the bass/ In it’s beautiful hum I found a place

These jade eyes are straight lies that bind us / These jade eyes (x4)

Jade Eyes is another classic original track from P. A deep story that’s woven through dope rhymes, wordplay and guitar. The hook on this track has always stuck with me – To me, P’s words and delivery in these lines express the core of what this song is about. Using acrylic paint on 4 rectangular pieces of plexiglass, I created Patchwork: Jade Eyes. I approached this project like a “sampling” project, chopping up the words from the hook into the different panes of plexiglass to create another flexible hook that expresses the original meaning in a new way…

Reflection and Response.

V.

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The Patchwork Series: An Introduction

Welcome to the Patchwork Series! In this series we use earlier work to inspire new creations. This is collaboration through space but also through Medium. We’ll be collaborating from NYC to Madrid with V using a visual perspective to reflect and respond to P’s audio tracks and vice versa. For example, on our first patchwork series V is creating an all new graphic piece based off of P’s The City Swells. We look forward to expanding our craft with this series. As always, thank y’all so much for riding with us!!!

-P and V

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Patchwork: Landscape

Landscape

Patchwork: Landscape.

For this patchwork I used a sample recorded back in Berkeley from a nearly forgotten session with some old friends. I found an accordion track that seemed to go with the idea of the bicycle journey. I wrote the lyrics the next day (January 30th post day). V’s piece uses motion is such interesting ways- both the narrative and detail of V’s piece stuck out to me and were influences on this patchwork.

Full track

Instrumental

A Capella

Patchwork: Landscape

A friend said they look something like mountains/ obstacles to get around in/ a hill of wheels/ peaks an valleys/ bars and steel/ falling freely/ the feeling of a thousand movements suddenly still/

He said he’ll never again depict bicycles/Minute curves made many lights dull/Into morning/He’s pouring over each individual frame/3 panels later the piece became/What it is today/

Off in the dusk/ Johnny gets up/ Brushes off his must/Hops on two wheels starting to rust/ Heads downtown because it’s market day/ Grabs his mackerel two jars of lard mayonnaise/ Sets up his stand right by the French fry place/ Amsterdam’s morning hours are an early grey/ These surly markets will surely pay/ For a fresh fish sandwich that he’s still learning to make/

To the Southeast/ The second prayer is sounding/ Sarah peddles between beggars and sheiks/ Already the second quarter she’s missing her team/ Qualifying for championships/Rides her 6 speed over the mountain back to her crib/ Fast as shit/ Shifts to evade pebbles/Her gown nestles / Her nerves/If they score she needs it that’s passion for sure/ Cousin sees her fly fast a blur/ Blurts out Salam in time for the third/

A friend said they look something like mountains/ Obstacles to get around in/ A hill of wheels/ Peaks an valleys/ Bars and steel/ Falling freely/ The feeling of a thousand movements suddenly still/

He said he’ll never again depict bicycles/ Minute curves made many lights dull/ Into morning/ He’s pouring over each individual frame/ 3 panels later the piece became/ What it is today/

Back in Seattle/ Northwest’s saddle/ Steve’s done working/ He straddles the lake path’s rambles/ Got miles turned up with Chet Baker on the way/ Goddamn these Husky fans sure crowd up Montlake/ As he turns up that hill on forty-fifth/ Burning in his legs lets him know he’s still fit/ Prefers this to constraints of his car/ Gets home stows the Bianci in the backyard/ Feet up opens that peanut jar/

Joanna in the city where Steve’s bikes are spinning/ In the plant where this week her hours way past 60/ Used to make Ipads till her friend started feeling shitty/ Now can’t move her hands just turned 15/ Lives on the facility/ Her faculty is limited to assembling the same 4 millimeter part times infinity/ But she remembers when she arrived here on her two wheels/ Proud with work she can provide her own meals

A friend said they look something like mountains/ Obstacles to get around in/ A hill of wheels/ Peaks an valleys/ Bars and steel/ Falling freely/ The feeling of a thousand movements suddenly still/

He said he’ll never again depict bicycles/ Minute curves made many lights dull/ Into morning/ He’s pouring over each individual frame/ 3 panels later the piece became/ What it is today/

-P

-Reflection and Response.

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