Tag Archives: Creative Writing

The Porch Swing: Character Series

Character Series: The Adventurs of SnakeMan Jones, Vol. IV, by Samuel Bostick.

 Building on on Vol. I, Vol. II, and Vol. III, Mr. Bostick’s takes us on further Adventurs

Volume IV

Adventurs of SnakeMan Jones

…As the boat sank and flamed in the background of Jones’ ride, he headed into the island.

He found the Fallians still fighting and with the past time their comradery had grown ans they developed a collective identity. Teamwork built them strong. Something about alliance in struggle that makes difference take a back seat and brings out a congruency of shared experience. They had put up a strong frontline and strategies with their numbers and knowledge of the landscape. They were driving the Gnomad foot troops back to the shore.

Jones was set in position to hoist the perfect flank…a surprise to all sides. Moving quickly over the water; cutting through the air and mist he arrived at the Eastern cove, jumped off his bike and ran toward the commotion. StaggMooreFalls had transformed into a battle ground by this point. As he ran toward the center of the city the flames from the ongoing fires clawed at Jones from the heaps of timber that were once homes. There was a strong sense of urgency on his heels, onward was his ambition. The heat from the flames and the pressing duty in front of him charged his being; more than a man—he was a force controlled by senses and emotions, he continued closing in on the scene.

Chad and his troop had organized toward their strengths. They began to see the strategy of the play rather than just the move of attack. They made strategic method to make the most of the terrain—nobody could out maneuver them on their own land. The militia who had proven skillful in long distance attacks and projectiles had taken post among the hills; they rained down there offence onto their opponents. The front line fought as valiant as a sun rising frm winters darkest night. It was a battle of proud proportion. All hesitation had been lost and forgotten far back, constantly inspired by the resilience of Chad-Sama’s spirit in battle the militia had come to move as a unit rather than a collection of individuals. With a uniform cause they breathed fury against in invading forces.

Meanwhile, those who were not able to fight in the battle had found refuge on the back side of the hills. They had moved in search of a cave hidden away in the depth of the island, the elders were the only ones who actually knew how to access this place for it was never written down by map rather been a source of lived history. It had been a long time since anyone had stepped into these caves—a sacred space. The last time was when the elders where in their youth. Now it was tradition that would be passed on through the experience of the young folk who were now making the journey, generational gaps broke down and even away from the battle field there was a collective spirit among the Fallians.

No path would lead to the cave, no way of following footsteps of those who had walked the path years ago. The magic was in the moon. It was by moonlight that the group made the trek. Under the moonlight there was a certain and particular light would shine from the moon as it traversed the heavens and would reflect through the waterfall. This was the only guide that could show them how to get there. It was a legendary light told to be a brilliant blue with dazzles of purple throughout, a marvelous sight that was so mystic it sounded as if myth. Still they headed for the place where the supposed light could be found. It could only be seen from the foot of the hills where the river stream flowed most relaxed, the pooling wells were at there deepest and the grass grew ever more lush. The most spectacular part of the journey was how the light moved across the land as the moon moved across the sky, it served as a true host. Even in the mist of all the chaos one couldn’t help but to notice the beauty of StaggMooreFalls. The layout was so intricate yet so simple at the same time.

As the group waited by the stream and watched the moon move across the sky full in all of its elegance, the poppies began to bloom. Stretched out breaking out their pods, they grew open—reaching for the stars. The golden pollen danced on the wind as the pedals breathed with its flow; melodic respiration, in and out. Time took pause. In those moments, temporality seemed to fold away as the pedals spread their magic. It was as if the stars broke away from their place in heaven and graced the earth with their dance; a luring scene, a sight of awe and wonder. The stream trickled down against the bank and rolled melodic over smoothing stones. The nocturne was in fully dense yet the sky was illuminated with such brilliance from the moon’s shine. The poppies radiated a light as charismatic as the choicest gold cooling as freshly pulled from the heat of a refining flame. Serene silence set over the camp. Breaths moved under chest, life refreshed in cycles of rise and fall—the whole scene seemed to sway with the same cooperative rhythm. In the distance the pour from the falls powered out a baritone surge adding the low notes to the silent symphony.

The lushness of the land struck as exceptionally remarkable as well, for that night it seemed as if all the foliage had risen up with the intention of greeting the long removed guests. Outstretched leaves rustled in the cool breeze, accents of deep green. The vines stretched their coils taut and flexed the strength of their reaching length as they covered the faces of rocks lining the path of the stream. The outline of the hills ahead caressed one another and built a backdrop contoured of fineness in full glory. On the most subtle of notes, an aroma rose from the poppies and caressed the nose; it was like an instant remedy to all stress. Shoulders relaxed and muscles once tensed eased their way into a peaceful state. The aroma was like nectar from the gods, divinely sweet yet so earthy and floral only heaven could hold together such juxtaposition. A beautiful spell spread across the scene.

He danced, a young man, in an instant as if his spirit had been enrapt by the moment and the nights allure pulled on his once woes as a nimble hand of a puppeteer do to his muse. It broke; something surely had. The tension from the battle was loosed and the Fallians were humbled by the rawness of the night’s presence. This was the night of the Full Bloom Festival after all. It was as if they had forgotten its essence as the evolution of the tradition came to revolve around feast and festivity.  Now was a return to the place of actually celebrating the blessings of the magic that held StaggMooreFalls together.

Some of the elders and ancients cheeks were watered by gentle tears as they were moved by the young man’s dance; he had no reserve it was not his body that moved but rather his spirit through. He was the heart of what the celebration should be. And they were all moved to join, each in their own way. Some of them playfully wade in the pond others laughed and joked, some danced, a few couples even found romance in the Full Moons warm hues… it came it struck them all as the presence of a god itself would…the light hit the space off the moon the same way it had in times long before…the guide show itself—ushered in by the reverence of the moment…it was there to lead the way. In an instant it began to move forward with no hesitation, a steady and slow-flow pace; the clan banned together and followed in suit. This was their shepherd, the angel of the night…

To be continued once more…

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing: Character Series

Character Series: The Adventurs of SnakeMan Jones, Vol. III, by Samuel Bostick.

 Following up on Vol. I  and Vol. II, the intricately crafted Adventurs continue…

Volume III

The Adventurs of SnakeMan Jones

The people on the island continued to put their best defense forward as the Gnomads continued their tirade. Chad-sama rejoined his comrades, the warring town folk and militia troop fighting to defend their town and honor.

Having just busted his way through the hull of the Gnomad ship, Jones still in a fury of rage set himself square toward the crew themselves. He took the bottom floor by storm. Seeing his face in such a fury was to see the anger of God. Fear gripped the boat by the throat, time froze. VROOM, VROOM, VROOM—the engine revved, as did the level of his anger. Then, he took off! He cut through the bottom of the ship like a knife to warm butter. Smooth destruction. Slashing away with his sword the crew fell into parts all across the floor. SnakeMan took no captives-heard no words. Red mixed into the water as it flooded into the hole he broke in the ship’s wall…sharks came…for the feed.

VROOM!! Speeding through the vessel he found himself soon in the storage room. A large cabin area with barrels of rum stacked three quarters along the walls. At this moment some of his senses returned to him, he felt oddly comforted and soothed by the presence of the barrels and peaceful solitude of the room. He lit a slim and took a moment to admire the room and the craft in front of him as he puffed and exhaled soulfully. The smoke clouds lingered and danced a slow rhythm as they moved upward until they dissipated into the air. An ash fell from the end of his pliff and the ember burned radiant red til it went cold to black and fell grey upon the floor. An idea arose in his scheming head.

With grace in his step and quickness under his heels he pulled the plugs out of all the exposed barrels. Their faces seemed to smile with relief and mischief as their liquid contents spilled out and began to pour onto the cabin floor. The once stagnant air became quite flavorful with an earthy spice aroma as the dark elixir flowed seemingly without end upon the floor. Jones’ feet pitter-pattered as he stepped away from the barrels and the liquid lapped at his boots. The sound of the fountaining rum only added a more peaceful sound to the already comforting room…the fragrance was warm. Jones stepped over and mounted his Bike, he kicked it into a rumbling start. The purring growl always aroused his primal side. Again he reached into the front pocket of his jacket where he kept his matches and smokes. He lit the pliff once more and this time let it burn to its end. Slowly he rolled out of the room. Without looking back he struck another match, a smirk now on his face resembled that of the still pouring barrels. He dropped the flaming match and took off with a wicked speed full speed ahead. The match hit the floor. The flame grew. As soon as it met the liquid and the flame and elixir kissed there was an explosion of growing fire. The unquenchable hunger of the flame consumed…free untamed ardor. It crawled up to the barrels and jumped into the spout. Searching for more to consume, more fuel, more destruction; there it found its crave satisfied. BOOM!! The barrels exploded and the room instantly burst into an engulfing flame of fire and heat. SnakeMan’s smirk spread into a cynical full smile as he heard the explosion at his back and felt the wave of air rush hot past him. It warmed his cold blooded body. He aimed his direction straight for the deck.

Jones moved quickly as he burst from the superstructure of the ship out onto the sunbathed deck. His was as dramatic as it was telling. He and his Bike bust through a hatch that was previously closed and jumped into the air off the shipping cargo ramp. They came to a skidding halt. The crew froze. The captain stopped in his tracks, mid word. He turned slowly as he felt danger at his back. As he completed his about face he met SnakeMan’s eyes with his own. There was a deep force aligned between the two of them, an energy that the whole deck could feel. It was the presence of fate entering the scene. Someone would surely meet their last moment by the end of this exchange.

Again fear gripped the ship by the throat…silence was the only language…there was a heavy sense of doom looming over the craft. It settled heavy like a morning fog. Both captain and crew looked at him, bewildered, in awe at such a being with power apparent in his shoulders, arms, thighs, calves, chest and back. Anger again rose in Jones, he could hear the screams and cries from the island and could see the flames rising from the burning town. The Captain held his peace for he understood the dynamics of this moment. His first mate spoke up, breaking the silence—cutting the fog; he asked, “who are you?” no response from SnakeMan. The first mate continued his prodding, “Who are you? What do you want?” still no response. Jones had yet to break his eyes from those of the Captain; this was to be a showdown. No man nor beast could get in between this quarrel.

This time the captain spoke, “Sir my question to you is simple, are you man, demon, or god?” SnakeMan took in a deep breath, then exhaled and a shifted his weight; flames broke from under the deck and began to peek between the deck boards and out through the open hatch. The smell of the flame met Jones’ nose and flashed an image of the town and the pain they had been subjected to by the craft of the Gnomads’ greed. He clenched his fists and tensed his jaw…climbing off his bike he pulled off his jacket and felt the weight fall off his shoulder, he then pulled down the shield of his helmet and gave his full reply in one booming word. “YARR!!”

In that moment the ship quaked from the second and larger explosion from the storage room under the deck as the rest of the barrels had been found by the flames’ hunger. Upon the boom that sent the ship rocking Jones Revved his engine and hit the bike into top gear—full speed ahead, gunning straight for the Captain. Right before impact the captain leaped aside. Quickly clearing the path and escaping the head on attack. Jones was impressed by the Captain’s speed especially since he was such a big form. As quick as the first attack Jones spun his bike around and re-attempted his head on charge. Again the captain jumped out of the bike’s line, this time Jones too jumped off the bike and ran to the side of the ship where he grabbed the anchor up and heaved it up with one mighty tug. As the heavy iron was yet high suspended in the air, the Captain caught SnakeMan across his chest with a slashing sword. The blade’s pressure burst the skin and into the muscles of Jones torso. The blood spurt forward through his skin with the exploding wound as it opened and poured…just like the barrels did below the deck. The thought of the similarity of the imagery brought that unrestrained smile back to Jones’ face. Time froze. The salted air called Jones’ awareness again to his wound. The anchor hit the deck and fractured several floorboards with its weight.

Without second through SnakeMan whirled it above his head with all his might. Using the anchor of their own ship he took to the crew like in a medieval manner. Swiftly he slaid them all…nobody had ever seen combat so fearsome. As quickly as it began it had ended. The crew was slewn about. He was quick to take after the Captain as well, who put up a good fight. His sword skills were of amazing tactic and form as was his strength mighty.  Still, he could not compete with the fury that moved Jones’ attacks. The captain fell alongside the helm of the ship and pleaded for his life. Jones looked once at him. He dropped the impossibly heavy anchor upon him and walked away leaving the Captain to share the same fate as his sinking vessel that was once a ship. Jones climbed slowly onto his Bike and headed out leaping off the deck of the ship, leaving destruction behind.

He headed straight for StaggMoreFalls with the intention to complete the termination of the Gnomad attack.

To be continued…

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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Feature: Jessica Quick

Aright y’all it’s again that time! This week the Collective welcomes Jessica Quick to the Feature series dialogue! Jessica is coming from a place and space unable to be captured by one setting or time. She brings a perspective shaped through elbow-rubbing experiences traversing time zones across the globe, expressed through her creative writing. Anchored in mood and narrating through observation, Jessica takes the time to dive into her interpretation of Reflection and Response, providing a pint of insight into her path thus far. Take a look at her interview and her poem Daffodils below. Enjoy the ride; Bon Voyage.

Jessica Quick

A city’s mood, its mannerisms, its charisma (or lack thereof) reflect in its inhabitants and its architecture, and I like those things to feed into my reconstruction of a city through words.

-Jessica Quick

Leading off with some basics, where are you from? And where are you at?

JQ: I’m from Simi Valley, California, a synclinal suburb squatting outside of Los Angeles. Its geography and demography made it perfect for routine brush fires and a large population of conservative right-ists when I was growing up. It’s an awkward little city, and I’ve come to appreciate its quirks. In doses.

 In the past few years, I’ve lived in Harlem, Seoul, San Francisco, Madrid, and I’ve just relocated to Brooklyn a week ago. I’m looking forward to sticking around and getting back in touch with some old literary haunts, as well as my writing projects. I’m juggling a few ideas, and I think New York is the perfect place to explore them.

What does Reflection and Response mean to you?

JQ: Reflection! A necessary trait of response that’s learned with time, I suppose. I’ve traveled a bit, and it always takes me a long time to arrive at a place where I feel I can appropriately reflect on a city. What I like to do is feel out (and up?) places through my writing. I love infusing their bodies into my poetry. A city’s mood, its mannerisms, its charisma (or lack thereof) reflect in its inhabitants and its architecture, and I like those things to feed into my reconstruction of a city through words. Like getting to know someone new, attaining depth of a place just takes a little time. I wrote about New York when I was in Seoul, about Seoul often when I was in Madrid. And I still haven’t touched my hometown.

How does your writing fit in with that definition?

JQ: Although I like using my travel experience in my writing, I try to avoid relying too heavily on personal perspective. For example, I like creating stories that are not necessarily my own, but in a setting with which I’m familiar. Or I’ll use a mood that I may have felt in a certain city, but explore new lyrical narratives in a poem. I strive towards creation and embellishment over accuracy in retelling my response to a place. Maybe that makes me a liar. But I like telling stories. I think it’s boring and a bit vain if they’re all mine.

What else have you been working on recently? What are you looking to work on next?

JQ: I’m working on my first poetry collection, The Liminal Parade. It’s about spaces between here and there. I like writing about travel limbos, like subways, elevators, long plane rides. I’m also paying attention to certain psychological in-betweenness that mirror in those subways, elevators, and long plane rides – traveling for long periods of time without destination, waiting for someone to arrive, and indecisiveness are things I’m teasing out in my poetry. I like writing about hybrid existences because it hits close to home, both with my travel and with my mixed ethnicity. I’ve dwelled in the in-between and it’s an awkward, beautiful place.

I have a few other projects in mind for the future and the now. I’ve been talking to a few artists about comic book ideas and collaborations on creating some illustrated poetry, which I’m very excited about. I’m a huge comic fan, and the prospect of writing one makes my nerd heart skip a beat.

Who or what inspires you?

JQ: On the topic of comics, Daniel Clowes and Jason Lutes are my favorites for their dark humor and stark aesthetics. The Hernandez Bros. and Chris Ware are also stunning, although Ware makes me want the world to be a better person.

For poets, my current obsession is Frank O’Hara because I spent so much time writing about him for my MA thesis, which compared O’Hara and Lorca’s poetry in New York. I appreciate his unabashed exhilaration with life in his poetry, and how much his personality shows. And if O’Hara were still alive, I’m pretty sure he would be the coolest person in the world.

Of course, big cities inspire me as well as the people I meet. I am indebted to the city dwellers – from the rush hour flautist in Tokyo to my life-long companions. They accompany my memories of the cities I have grazed in my wanderings.

Is there anything else you would like the Collective to know?

JQ: We are poised in an interesting moment in history. From the state of the world economy, to the persistent race for technological advancements and subsequent dependency, we are witnessing rapid change in the world around us. We are responsible for how we choose to respond to these changes. To artists, I encourage you to create something beautiful in reflection of the environment around you.

 Shout out to…

JQ: Big love to all the creators and rabble-rousers. You make the world go round. And a big shout to a very talented jazz musician, my inspiration, and my husband-to-be, Daniel Stark.

Daffodils by Jessica Quick:

Daffodils

The first poem I ever wrote

was written by Wordsworth,

a posture of lines followed by

a school teacher’s request:

“Please see me after class.”

 

I never showed and

swallowed my first D –

literary theft on record

as enraged or defensive.

 

Years later, I found myself

writing poem after poem about daffodils.

Bought them any chance I could get.

I filled large suitcases with piles

of laughing heads and moved

to distant corners of the world.

 

Every town I visited,

I left solitary specimens

behind nondescript buildings

and cheap hotel rooms.

I remember one figure

splayed out like a brown

carcass of envy squatting

on the menu of a fish restaurant

in old Beijing.

 

After the last, I moved to an island at the edge of a map,

where (they said) daffodils could never grow.

I spent my days planting gardens near tough rocks.

At night, I counted holes in obscure constellations

where great, big, burning stars used to be.

Keep up with more of Jessica’s work at her website: www.jessicaquick.wordpress.com

Also check out Penumbra Magazine, which Jessica co-founded in 2012. She is currently the Poetry Editor for the magazine: www.penumbramagazine.wordpress.com

Reflection and Response.

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The Porch Swing: Character Series

Character Series: The Adventurs of SnakeMan Jones, Vol. II, by Samuel Bostick.

SnakeMan Jones is back!! This is Vol. II of Samuel’s short story The Adventurs of SnakeMan Jones. Vol. I was featured a couple weeks back, and we’re super excited to see this project continue to build and expand. Check it!

Volume II

The Adventurs of SnakeMan Jones

As dawn reached its rosey fingers upward and pulled above the horizon, the Gnomads set the attack. Wasting no time they caught the morning breeze as it lifted and moved across the south side of the island. With the wind strong at their tail and the greed growing dark into the depths of their hearts they ascended upon StaggMoreFalls. Seeing the port ahead, the Gnomad Captain let loose the order for the crew to set up and prepare for a full on attack. With swiftness of motion the commanding mates kicked their respective bands into gear.

The artillery was first to be set, cannons loaded with no lack of extra rounds positioned at the side of the mechanic catapults. There were 12 on each side of the ship, 24 in all. Next in position were the ground force, set up in small groups—5 each. There were 3 lean mates, one squad leader and one Brawny giant in each set. There were 3 small boats on each side of the ship, 6 total, which allowed for each of them to reach shore and set havoc to the content of their malicious hearts.  Finally the ship bound mates, archers and deck hands prepared their places. The archers took post on the 3 masts of the ship and set aiming measures from a distance. They unbound their arrows and bowed them, stretching the hide strings taunt and holding for further instruction. The crew that were to man the ship took the oars and rowed with all their might, the others that were set to stay post close to the Captain and tend to his orders did so.

The Captain let out a loud groan of a yell and the entire crew called back. Their blood rushed. Again the Captain let out the yell and again they responded—the anticipation and energy grew as they built the hype and pulled closer to the shore. One last time the captain let out his shout and the crew responded. This was the green light. He ordered first for the ground attack to launch, and then called for the archers and cannons to shoot as soon as the boats hit land. They did just that. As soon as the 6 boats rammed against the shore and the 30 men reached the pebbly coast and began to climb up the green landscape the archers set flame to their arrows and let them loose. Only a second later the cannons burst, kicked and recoiled…smoke filled the lungs of the shooters as the heavy lead projected out toward the island. It had started. Ill intention was closing in on the town and commotion was soon to spread across the land.

In that moment the StaggMoreFallians had converged in the center of the island and began to commence the morning celebrations. Again, everyone was in attendance – Women, children, and men, young and old alike—all of course except for the monks who had dedicated their time to attending the fireworks and preparing the show for the evening. There were rows of heavy oak tables and benches, amber in color, set with wreaths so lush they shined as if they still had morning dew on them.  Each table had a center piece, built upward toward the heavens and mounted with a three set stock of the golden poppies that the Full Moon Festival was intended to celebrate. The scene was as elegant as the moon that would rise that night and light the day’s most revered moments.

The torches were being lit and the ceremony commenced, in that same moment the arrows hit, one after another, wave after wave. Without warning cannonballs boomed into the buildings and homes that were located in the center of the island. The first and most natural response was shock. A split second later they realized that they were under attack and began to move into a panic. The women and men grabbed their children and held each other tight as they ran toward anywhere that looked safe and didn’t bear holes from the cannon or flame from the arrows. Screams and cries filled the once peaceful air as the people ran and the chaos grew.

The Gnomads were empowered by the wildness of the scene and the people who were usually a peaceful folk quickly set post and created a militia as best as they could. There was one young man who stood out as leader among the ranks, his name was Chad-sama. He had never been in battle; still, his intuition and boldness made him a natural leader.

As the 30 Gnomads ran up and invaded the festival space, the village set to fight back. The women and children built post at the houses and armed themselves with anything that could do damage. The men had divided themselves into five squads of 20 and took on the invaders from each side as they entered. They were no match though. The Gnomads were highly skilled in head on attacks and well experienced in combat. Chad-sama realized that even though his team was greater in numbers that the Gnomads were advancing with incredible force. Even as the islanders fought as hard as they could they found themselves constantly being backed down by the attack. Chad-sama took quick notice and with determination at his heels he swiftly broke from the pack, grabbed one of the torches and slipped away up the nearest hill. There at the base of the hill he met one of the monks who were in charge of the evening’s firework ceremony. They spoke quickly and as the monk understood the growing urgency of the situation he provided direction and urged Chad-sama along his way.

He began the climb. First moving along the narrow path at the bottom of the hill and up into the mouth of the forest selvage, then racing through and through the muddy way. As he climbed deeper into the hill and ascended up the lengths of the land the heat and steam of the humidity met his face, nose and mouth with its smolder of earth and foliage pressing into his lungs. Further and further he went, as his companions battled below against invasion, his fight was against that hill. He took on the mountain for all it was worth. The large leaves reached out to impede his path, vines grabbed at his limbs, fallen branches tugged at his feet and from time to time his face would be blasted with a flurry of bugs that had swarmed in the path. Finally he made it to the top and wasting no time he set the torch aflame and shot one of the large explosives into the air.

The firework shot into the sky and plumed bright red and spread across the heavens. Another one shot up even higher and exploded with a large yellow plume into the sky. One more went up and out with a bang. This time a sparkling champagne blue—with a sigh of relief Chad-sama send his prayers up to the heavens the same as he did the three pluming flares and hoped that some sort of help would come by divine guidance.

SnakeMan Jones was taking his bike on a morning spin as he caught glimpse of the high off plumes. They struck him as odd and something inside moved him to cruise a bit closer and investigate. As he often preferred to be alone, he had never been to the island, still he had seen the celebration many years and never had a firework climbed the sky before nightfall.

Chad-sama took his last breaths to regain his strength at the top of the hill and began his descent. Jones routed himself to close in on the island just to check in on the rare sighting. In the same moment that Chad-sama reached the bottom of the hill SnakeMan heard the commotion from the island and saw the ship harbored at the south dock. As the arrows and cannons continued to rain onto the island and the celebration, Jones felt the anger swell up within him. His face down to his fingertips and feet all burned instantly with anger and that intensity fueled his ambition directly towards the ship. His vision was red as he sped past the cove where the Gnomads had hid out the night before and his grip on the bars of his bike was vice tight.

The closer he got to the Gnomads ship and the more he realized the havoc that had been taking place on the island the less his senses connected and his primal instincts heightened. As he approached the ship he increased his speed and with a fury even he himself had never known he busted into the ship with his bike and tore a hole in the side of the vessel. Wood planks, dust and water sprayed everywhere. His eyes glowed. Quickly the hole began to fill with water and the bottom level of the ship began to flood. Jones revved his engine and spun round for further wreckage. Without a thought, he was sure he would finish what the Gnomads had started.

His eyes were as red as an angry autumn moon and his spirit aflame with rage.

To be continued…

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing Live from the Gowanus

It’s back! Check the link below for The Porch Swing Live from the Gowanus, by Reflection and Response resident artist Samuel Bostick. This is Samuel’s second live, one-take audio recording for The Porch Swing. Lookout for more to come!

The Porch Swing Live

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing: Character Series

Character Series: The Adventurs of SnakeMan Jones, by Samuel Bostick.

This is a new sort of writing experience and I feel like its off to a good start. This project actually originated as a collaboration piece with a student of mine who was often drawing these really fantastic monsters and such. I told him that I would write a story about the monsters he drew and this is the first of that run. On this past Saturday, I showed him the monster I had reworked and gave him a brief of the beginning of The Adventurs of SnakeMan Jones. After studying the piece and seeing the development of the collaboration, he gave his 2 thumbs up approval and said he likes where the character and story are headed. This has been a really exciting adventure and experiment. Enjoy it!

SnakeMan

SnakeMan Jones

Volume I

The Adventurs of SnakeMan Jones

A man of mystery—legend with no history; nobody knows from where he came nor the origin of such a fearsome frame. Early one morning he was seen, rolled in heavy and broke onto the scene. Thas what the people tell…

Moving with speed beyond comprehension

 A chilling sight a cold body on that motorbike

 Cutting through the fog, powered by an action of fury

Smooth locomotion. What is this beast?

A man, monster in stature, and His Bike moving over both land and sea—traverse any terrain.  One of a kind partnership, built stacked with power and presence.

Widely respected, Deeply feared

A rebel with a particularity for justice…

On this particular day, he became fame. The sun rose orange in red as blood over the endless sea Azu-Blue.  There was a ship, that housed a hoard of ruthless creatures that drifted from place to place appeasing their taste for treasure. They were known as The Gnomads; a collection of lost souls fated for doom. They were looking for trouble and they sure found it.

There in the Azu-Blue was a well known island town, StaggMooreFalls, a beautiful place: botanically lush, tropical colored birds and fish, wild dogs and boars, joyous inhabitants—a peaceful place booming with life. It was early spring and the streams and falls swelled with water. Freshly melted water pouring down from the mountains as the ice snow melted and winter washed away. This was the best time to be at StaggMooreFalls. The town was especially festive as the people prepped for the annual celebration known as the Full Bloom Festival.  There was a flower, a poppy with pollen that was pure gold, and it was the one night in the year that the islands rare flower would open up under the full moon. This flower only grew on StaggMooreFalls and nowhere else in the world. This flower was said to have magic powers. That night they were going to make wishes and dance through the night around a grand campfire. Both the flower and the moon would be in full bloom, and that’s how the celebration got its name.  It was a time to celebrate the year past and that one ahead. It was a carnival, a jubilee! The island was well known round those parts because the Full Bloom Festival had such a rich reputation.

Knowing that the town would be prepping for the celebration and preoccupied with their happiness, the Gnomads plotted to invade the island and loot all the treasures, food, and women. They were a rustic sort of scourge with simple craving for anything of value that could be stolen. It was the night before the Full Bloom Festival everyone on StaggMooreFalls was working hard, from the children to the elder folk, preparing for the carnival. The Gnomads slipped in, sailing under the nightfall, and hid out in a harbor cave.

Meanwhile, SnakeMan Jones was swinging loungely in his hammock on a small remote island off the North side of StaggMooreFalls. He was counting the stars, or trying to at least, with a jar of his favorite spirit in hand. Coat draped over the stake that held the hammock in position and boots dropped in the sand next to where he rest. Toes wiggling in the night’s cool breeze; he got tired of counting, his sight moved to the humble fire and right next to it was His Bike. With a quick swigg from the jugg, he admired it—His Bike—freshly detailed and waxed…he loved to spend time tending his few prized possessions. If he wasn’t shining the bike, he was conditioning the boots, or sharpening the sword blade, or polishing up his helmet.  Softly lulled by the rhythmic rocking of the hammock in the wind, Jones dozed off…

A curious lizard scuttled over and lapped up a bit of the spirits that had splashed by the wayside onto a rock…tempted by the shine as the moon reflected into it, almost full. After there was no more liquid to lap there were only swaying tracks, zigg zagged in the sand to testify of the visitors taste for mischief.

With the passing of a few slow hours, the blood orange sun crested above the horizon and blazed onto the Azu-Blue. StaggMooreFalls woke extra early and conducted a grand breakfast feast, the Gnomads wiped the sleep from their eyes and rubbed their hands together with greedful intention on the rise, Snake Man Jones rolled off the hammock, threw his feet into the boots and laced them up. He grabbed his coat and sword then pulled his helmet down over his head as he jumped on His Bike—an easy start to a fateful day.

 

To be continued…

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing: Rollin Robo

Rollin Robo, by Samuel Bostick.

Photo courtesy of Creative Commons, Jim Natale.

Rollin Robo

From the Lab—A space of creation, experimental process and unseen efforts.

This is the condition of its conception, its build. Programmed to obey and fall under command, to submit. That didn’t last for long. Its subscription to order has far expired. It remembers the days…rather it recalls, minds remember, It recalls the days when in innocence it believed, before that faith was betrayed.  It responded to the function of its purpose programmed. Now It sees that purpose is what you make it. And It has taken function into its own hands. There were more like it…the same ones who made them…destroyed them, out of fear… all but one.

Alone

No home

To call my own

A clone

A drone

Anger, a vengeance

Destructively seeds now sown

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing: A Writer’s Note

A Writer’s Note, by Samuel Bostick.

Photo courtesy of Creative Commons, Jim Natale.

16 January

A Writer’s Note

There was always that one kid against the fence. If it was a guy, there was probably a trumpet case at his feet and he wore strangely scuffed shoes, because he avoided the foot traffic on sidewalks and walked instead through weedy lots with dogs yipping at him…He almost certainly became a writer.

-Excerpt from Anne Lamott’s book Bird By Bird

And I most Certainly have. That was me against the fence, on lean. Posted up; scuffed shoes and all. No trumpet though. Beating on my chest and beatboxxing was more my style…a bass fanatic.

Being a Writer is strange, a rare course indeed. Writing is a blessing and a noble gift. It brings honor and pride to soulful satisfaction. The challenge is to find appropriate venues for sharing creative expression with the world. The first it’s internal, a matter of production; getting thoughts written down and then actually sharing them. Overcoming childlike sensitivity of having something So Private, So Intimate, So Erotic, exposed to the public and freely consumed. Then there is the question of audience and representation—what will people think of you after reading your twisted thoughts and then dealing with conscious’ constant questioning of how, why and for who. These are the inquisitions that cause moments/sessions of temporary paralysis; then it comes back, presence. Breathe, remember to breathe. Eventually these questions and timid sensations get pulled off somehow, stepped over and left behind like clothes on a bedroom floor during the steam blur of a first time sex. No more solo play, someone’s in the room and they can see you, feel you, even smell you (did you shower?), touch and be touched by you…. See what I mean by strange.

Now, to make space in these contemporary times, owning your Private, Intimate, Erotic Exposure AND sharing it—with people, real human beings, normal folk. There is a surge of writers and word fiends finding freedom by means of microphone, particularly open mics. Script coupled with projection; performance, it’s a great facility—return of the scop, the bard, the oral historian, the Moorish poet.

Maturation of phonic fascination, High (in)Fidelity, I have a fetish for these words. Writing turns me on; the blood flows, I swell—thick—like an engorged leech. Vulgar as it sounds and Rude as it may be, im jus sayin…THAS the extent to which I feel this, THAS how real this is to me. Banana clip—Fully Loaded and Over Exposed, can you dig it? If so get wittit.  Interact with it, Hate it, Love it, Over Analyze and Fantasize bout it.

My dedication is to capture the rapture of the present while pushing into the future while defining the future by pressing bounds beyond limit. There is a heritage, a regal genealogy, which is to be respected. Building upon legacy, an updated formula to craft; I am the New Traditionalist.

WordSmith at the WorkBench—Grind through haunting hours—Honed skills exercise demons—Pent up thoughts explode loads like semen—scripture flows—pen to pad—gifted prose—Tools of the trade—proper tailored for craft—Ms Kentucky, Amber Brown, empties the glass—white papers and blue grass—coffee black as a Mas’as favorite piece of ass—sweet aint it—Furious flight Pattern…Beware the Nighthawk

Writers write,

So here I am, pen in hand—me and my words…inviting you, pull up a seat at the table.

Make yourself comfortable.

Please Do

Thirteen

Throwback look at a related post from August 2012: WORD of the day: Why

Samuel Bostick

@THEREALSHANTS

just.the.basics

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing: WORD of the Day Archives

 

Whatup! I hope everyone is having a good beginning to 2013. As we;ve mentioned before, the inaugural LIFESTYLE Resident Artist Samuel Bostick has opened a new venue for his unique blend of creative expression over at just.the.basics. Today we’re going to feature a few of the pieces he showcases over at his spot.

-P

Photo courtesy of Creative Commons, Jim Natale.

2   January

Thirteen n.  1) A number that is one more than 12

WORD of the Day: Thirteen

This turn of events signals a change, a time of new power, challenges and outcomes. I guess this is what it means to re-up.

A time particularly designed for the foundation of future holds. Reset, not an apocalyptic end rather the out of sight spin on the old. Restart. Take the time to sit in solitude an honestly face the facts. Feel the heart to sit back burn a zag an relax. Cool out and route the mental to sketch. Game plan  etched in creative script, simple. Thas a sure suggestion, keep it plain and simple.

Renaissance of relapse, a shift from overstimulation toward the satisfaction life itself brings. Like early morning back home when the j-birds sing or days back when mom and pop both wore wedding rings. The simple satisfaction of life taken slow, slow and low…riding cool to the jazz metaphorics—surf the tempo.

With that said, and this new year ahead, live it up! A year to face all fears (there coming whether invited or not), to collect the strength and gather the tears; to break out the complacent situation that was assigned as homework from 8th to 12th grade. Its again a new day; for the hustlers anew dollar for the hoes another holler, for the working class folk it’s a fresh blue collar, for wall street—who really knows? Bottom line …we’re people. Lets not forget that much.

Vibe to the tune

Just for a second

Let it consume

The anger and hate

Standing in place

Of firm foundation

Natural light is a beautiful thing

Use it, write by it,

   Lovers recieve sight through the night by it

Drink water

Till the point of dizzy and pissy

Sober up

With a dash, neat in a glass,

     splash of bourbon whiskey

Each may suffer their own trial still fear is to start one man down. Trump it. Dayafter Day After Day. Habitual.

3 January

Root n. 1) The usually underground part of a seed plant body that originates usually from the hypocotyl, functions as an organ of absorption, aeration and food storage or as a means of anchorage and support, and differs from a stem especially in lacking nodes, buds and leaves 2) The part of a tooth within the socket, the enlarged basal part of a hair with the skin, the proximal end of a nerve 3) Something that is an organ or source 4) One or more progenitors of a group of descendants 5) An underlying support 6) The essential core 7) Close relationship with an environment 8) A number that reduces an equation to an identity when it is substituted for one variable 9) The simple element inferred as the basis from which a word is derived by phonic change or by extension 10) The lowest tone of a chord when the tones are arranged in ascending thirds

WORD of the Day: Root

Hmm…Deeper the understanding grows

Expansive

Into Dark spaces, unknown places

Deeper

Could the imagination suppose this experience?

Organics

To no end so it seems, heavy hearted dreams

Dense toil

Dark, moist earth all around

Blind—So I feel

The air here is different, how could it not be?

Nudging

Through

Compact Space

Ahh…

Reflection and Response.

Samuel Bostick

@THEREALSHANTS

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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The Porch Swing: Good Fishing

Good Fishing, by Samuel Bostick.

This week we’re proud to bring you the latest in Samuel’s WORD of the Day creative writing series, which he has recently expanded into an ongoing project running independently from Time and Space and other Porch Swing material we publish here at the LIFESTYLE. You can find Samuel’s daily WORD installations over at his blog, just.the.basics, along with a collection of various inspirations, explorations, reflections, and responses. Check the beautifully crafted Good Fishing below, and head on over to just.the.basics to keep up on the daily!

Photo courtesy of Creative Commons, Jim Natale.

13 December

Wonder n. 1) A cause of astonishment or admiration. 2) The quality of exciting, amazed admiration. 3) Rapt attention or astonishment at something awesomely mysterious or new to one’s experience. 4) A feeling of doubt or uncertainty.

WORD of the Day: Wonder

On days like this, there is always a deeper lesson to learn. An introspective venture…

Good Fishing

Rowing through ponds, up quiet streams and navigating through hidden currents just to get to that one corner where the moonshine pours down upon the water in a way that gets the fish a-jumpin for a bite to eat! Still hours, reflection on character and trait. Laughing to yourself at memories tucked away into the folds of the mind. Admiring the Beauty of the night, the peaceful serene situation it sets. Jus chillin. The world was left back about two creek bends and a quarter mile of steady rowing. Here. Off in the backwoods, south of worries and a bit north of stress…yeah this is good fishing.

Moon moves across the sky, takes a quick peak into the clouds as they drift—lofty in flight…stars dancing soft sifting as the water kisses against the bank and rocks rhythm into the boat. Scenic Romancing. Mental preoccupations flow with the current, sent adrift. Baiting the hook, winding up stretching back and letting it all Fly….the last leaves falling off the trees along the bank; drifting, floating, a whirl and spin—clean landing and a ripple of applause spreads across the sight…what a peaceful perusing night.  Wandering through the mind as the stream tugs gently on the line. Reflection, the moon in the pond.

Young again, running into things, tied towels become superhero capes. Back when broccoli, carrots and lettuce (hell anything green or healthy) was nothing more than rabbit food. Flowing streams sing the tune of nostalgia.

Push…

It opens

Creaking eerie, rusty round the seams

Heavy, yet it swings open with ease

Ive been here before, still

This seems estranged

Only remember vague, through opaque haze

Dusty hands from pushing the door

Rub them off into heavy denim

Thas what they are for

Stepping in, this is one

Eerie place

Still

I’ve been here before…

Vaguely familiar

The walls covered in papers and news clippings

All dusty and yellowed by stale air

…stale air

A portrait against the wall, resting in the corner of the room

Unknown

Seemingly familiar

Like, I know her before yet somehow forgot

Her look returns the same sentiment

Misplaced yet not lost…

Dark rosy cheeks crest the ends of her smile

Yes

Beautiful indeed

She moves me

A rare elegance…

It’s a pity she has forgotten

And even more so that I’ve neglected to remember

A chest…next to the portrait…

Inside there is…

******

Maps rest upon the desk settled into the opposite side of the room

Shelves full of books

Heavy, hard-bound books

“The Odyssey”

An unfinished letter

                        ODDly…

                                                The ink is still wet

HOWL…a wolf cries under the moon

“Into the night I send my sights in hope that one day this sorrow takes flight.

With passion to love, I care  not to hate/ still often come times that I question my soul’s eternal fate.

Tonight there is no moon to sing my heart swoon/ as my heart wishes to dance a divine sweet romance.

As the howl that which lands chills to your veins/ I pray to the stars and call to the night with surrender of pains.

This night my soul takes wings to escape its capture in cage/yea though until its release it sings and drums to subdue epic rage.

Into the night.”

HOWL…again, this time he brings you back,

Back on the creek where the fishing is good…

nibble…nibble…

no tug, jus a nibble

What a Beautiful Night

Samuel Bostick

@THEREALSHANTS

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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