I have always been fascinated by the power of having a [brass] band that is able to play on the street with no amplification and have such a moving effect on the audience.
– Danny Lubin-Laden
Leading off with some basics, where are you from? And where are you at?
DLL: I grew up in Berkeley California, and I’m currently living in the Fruitvale neighborhood in Oakland, California. I spent about 6 years living in New York, where I was studying music and working. In July I moved back to the Bay Area.
What does Reflection and Response mean to you?
DLL: I think Reflection and Response are very interrelated in the field of arts. Reflection as a musician and composer is super important to artistic growth. I look back frequently at songs and sketches of songs during my time with Brass Magic and really try to dissect the song, identifying my original voice and separating it from my attempt to recreate a sound that I had heard elsewhere. Both are super important to tap into. I’m always reflecting and analyzing and using those perspectives as a basis from which to respond by pushing forward. I’m always looking to hone my craft and achieve a more original sound. Luckily with Brass Magic, we function more as a collective, so we are able to bounce ideas off each other.
How does your piece Continuous Movements fit in with that definition?
DLL: Continuous Movements was one of the first songs I wrote for Brass Magic. I’ve revised it many, many times but I think it is a super solid example of the sound the band was developing. It is a prime example of how reflection and response has been important to what we do. When I first wrote the song it had somewhat of a New Orleans brass band feel. Over time I have tweaked it so much that it no longer sounds anything like that. It’s still definitely danceable, but the horn writing is completely different from something you would hear in New Orleans. I feel as though the most important thing in music for me is to try and build off the music I love and not to repeat or recreate it. This has been why Brass Magic continues to evolve.
What else have you been working on recently? What are you looking to work on next?
DLL: Brass Magic is currently working on putting out another EP. This will most likely be something we just put out online. We printed our first CD in September 2013 and since then we have really focused on writing a whole new songbook for the band. I feel as though the sound of the band is the strongest it’s ever been. We have really dissected what we are doing and what we want to be doing more of.
In addition to playing with Brass Magic I have also been working on music with Kaila McIntyre-Bader, the awesome singer in the band Big Tree. She is such a talented songwriter with such a terrific voice, that I’m having a great time writing songs with her. Hopefully we will be putting out songs this year. We are still trying to come up with a band name that fits the music we make.
Who or what inspires you?
DLL: I am inspired by a wide variety of things. I grew up studying jazz and that became my whole world. I was blown away by the power of improvisation and its ability to transform a song and take it to the next, highly idiosyncratic level. We are still trying to integrate the aspects of jazz that we value into Brass Magic. Although jazz was once dance music, some of its danceability has been lost over the years. We are trying to capture some of those powerful rhythms in our music.
I also love brass band music, whether it be all of my favorite New Orleans bands or the Hypnotic Brass Ensemble. I have always been fascinated by the power of having a band that is able to play on the street with no amplification and have such a moving effect on the audience.
Is there anything else you would like the Collective to know?