Tag Archives: Performance

Events from the Collective

March 2013

  • Thursday, March 14 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Friday, March 15 @ 11pm-4am: Peter Muller Live (Live Music, Live Looping, DJ Set)
  • Friday, March 15 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Saturday, March 16 @ 3pm AND 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Saturday, March 16 @ 6pm-8pm: Peter Muller Live on Tour (Live Music, Live Looping, DJ Set, Granada Tour)
    • Location: CasaBombo, Calle Aljibe del Trillo 22, Granada, Spain
    • FREE
  • Saturday, March 16 @ 10pm-1am : Peter Muller Live on Tour (Live Music, Live Looping, DJ Set, Granada Tour)
  • Wednesday, March 20 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Thursday, March 21 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Friday, March 22 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Sunday, March 24 @ 8pm-11pm: Open Mic Sessions (Hosted by Peter Muller & Fede Balaguer Valenciano)
  • Friday, March 29 – Sunday, March 31: Peter Muller Live on Tour (Live Music, Live Looping, DJ Set, Barcelona Tour)
    • Location: TBA, Barcelona, Spain
  • Sunday, March 31 @ TBA: Electro Brunch III (Peter Muller, Live Music, Live Looping)

Reflection and Response.

Events from the Collective is a calendar of upcoming events from the LIFESTYLE collective’s international community. Events can be submitted at anytime to the.lifestyle.rr@gmail.com or @LIFESTYLE_RR and will be added to the calendar as they roll in.

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Events from the Collective

March 2013

  • Sunday, March 10 @ 8pm-11pm: Open Mic Sessions (Hosted by Peter Muller & Fede Balaguer Valenciano)
    • Location: Café La Palma, Calle La Palma 62, Madrid, Spain
    • FREE
  • Thursday, March 14 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Friday, March 15 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Saturday, March 16 @ 3pm AND 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Saturday, March 16 – Sunday, March 17: Peter Muller on Tour (Live Music)
    • Location: TBA, Granada, Spain
  • Wednesday, March 20 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Thursday, March 21 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Friday, March 22 @ 7pm: A Modern Feeling by Jason Kim, directed by Kai-Hsiang Tu (Theater, Acting, Megan Branch)
    • Location: The New School for Drama, 151 Bank Street, New York City
    • FREE / www.ticketcentral.com to reserve free tickets
  • Sunday, March 24 @ 8pm-11pm: Open Mic Sessions (Hosted by Peter Muller & Fede Balaguer Valenciano)
    • Location: Café La Palma, Calle La Palma 62, Madrid, Spain
    • FREE
  • Friday, March 29 – Sunday, March 31: Peter Muller on Tour (Live Music)
    • Location: TBA, Barcelona, Spain
  • Sunday, March 31 @ TBA: Electro Brunch III (Peter Muller, live music, live looping)
    • Location: The Toast Cafe, Fernando el Católico 50, Madrid
    • FREE

Reflection and Response.

Events from the Collective is a calendar of upcoming events from the LIFESTYLE collective’s international community. Events can be submitted at anytime to the.lifestyle.rr@gmail.com or @LIFESTYLE_RR and will be added to the calendar as they roll in.

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Feature: Hannah Connor and Flor Macías Delgado

The LIFESTYLE Feature series expands. Tonight we add two new voices to the ongoing conversation. Hannah Connor and  Flor Macías Delgado are two creators and agents of change that come to us from Madrid by way of Washington DC, Mexico City, Los Angeles, Maine, Bologna, and Amsterdam. These two minds engage with the interview on a personal level and bring us their unique perspectives on Reflection and Response and experiences directing the Madrid theatre group “The Auxiliares” for their performances of Eve Ensler’s award winning play, The Vagina Monologues opening on March 11th.

Leading off with some basics, where are you from? And where are you at?

HC: I tell people I’m from Washington, DC. I moved there when I was 10 years old and I feel like the city has defined a huge part of who I am. Free museums, beautiful cherry blossom trees, AND Barack Obama, who couldn’t love it?! But I was actually born in a small town in Maine and grew up in a farm house that was 200 years old. My dad wanted to have goats, but instead he had three daughters…

Right now I’m living in Madrid, Spain on a Fulbright grant. By day I teach at a bilingual high school in the outskirts on Madrid and by night I explore the millions of things to do around Madrid, cook exotic foods and play board games.

FMD: It’s a complicated question, really; and never coming to terms with answering that question is what has guided my interests in life. I am originally from Los Angeles, CA but I moved to Mexico City when I was five years old and lived there for ten years. I spent the last three years of high school in Los Angeles, then moved to Philadelphia for college. Besides that, I have lived in Bologna, Italy; Amsterdam; and most recently Madrid, where I’ll be until next summer. After that, who knows. I have yet to figure out my next move! There is so much of the world left to see!

What does Reflection and Response mean to you?

HC: Before I go to sleep at night, I often lie in bed and think about three positive or happy things that happened that day. Sometimes they are little things like someone saying hello as they pass me on the street or bigger events, such as, finally finishing a project that I was working on. I think that reflections (whether daily, weekly, or whenever it feels right) is an incredibly important part of being in touch with yourself and the world around you. They are a way of looking back and asking yourself “Am I doing what I want to do with my life? Am I spending my time that way I want it to be spent?”

Reflections are how we notice what is happening in the world. And response is what we do in reaction to those reflections. Our responses are the actions we take to work towards ending injustice and improving the lives of ourselves and those around us.

FMD:I think any art is a reaction, whether it is to a social cause, or your mere inspiration, art is always a response. I want to direct, write and produce pieces that make you reflect about society, and incite an immediate response from the audience. I think that pieces that leave the audience in a happy state of “Aw, that was nice” are a waste of time. I want people to have a definite reaction to my art: be it anger, shock, or even disgust. I want to bring to light issues that are not usually talked about in theater pieces. I am all for the responses.

How does The Vagina Monologues fit in with that definition?

HC: The Vagina Monologues (TVM) and the entire V-day movement is a response to violence toward women. TVM is a play based on interviews with women that raises awareness about issues related to women. The monologues cover a range of emotions and many topics, focusing on women’s sexuality and the stigma surrounding rape and sexual assault. Discussing these issues, especially through a theatrical work, is a powerful way of creating a conversation about these very important topics.

FMD: The Vagina Monologues is all about inciting the audience to reflect on women’s issues and has brief episodes of audience participation. It’s not a play you watch and then go out and live your life the same way. It challenges you to do something to stop violence towards women. At some productions, people are asked to stand if they–or someone they know–has ever been a victim of sexual violence. I am always shocked to see how many women stand up. The first time I was ever involved in TVM I couldn’t believe how many of them were people I knew personally. It really did change me. It made me see that TVM wasn’t just a play, it was part of a movement, and it did more than just entertain people for an hour and a half.

What else have you been working on recently? What are you looking to work on next?

HC: In college I studied urban studies, and as a city lover, I’ve been spending my time in Madrid learning about the history and confluence of cultures in the city. Over the next half year, while I’m still living here, I’m excited to continue these explorations.

At the end of the school year I’m planning on moving back to the States and next year I’ll hopefully be teaching in a public school in a city back home. Our urban education system in the United States needs a lot of work and I’m looking forward to becoming part of the movement to fix it. 

FMD: Artistically, I have been quite dormant. I have been working on grad school applications, specifically to Migration and Ethnic Studies programs around Europe. I am interested in working with immigrant teens, and using art and theatre as means for social change. I currently work at two high schools in Madrid and plan cultural activities that challenge the students to look at their culture from a different standpoint. I want them to talk about racism, gay rights, discrimination, abortion, and what those issues mean to them as Spanish teens. I try to keep busy learning French, and getting involved with animal rights activism.

Who or what inspires you? 

HC: More than anything I’m inspired by people who find unique ways to follow their passions and impact the world in a positive way.  Besides these people who make my life interesting and eventful, I’m inspired by the little things that keep me smiling every day: watching the sunrise over the Reina Sofia on my way to work, seeing the masses of people constantly walking on the streets of Madrid, or drinking tea at one of my favorite cafes.

FMD: I am constantly looking for inspiration and find it in the simplest ways. My students inspire me. Working with teenagers is what I want to do in life, and their passion for living is refreshing. They see the world in a different way, they believe they can achieve anything they set out for, and I think that as we get older we lose part of that. We become more realistic and forget the passion we had when younger. I see inspiration in simple acts of kindness. I want to create art that inspires people to do something about the society they live in. I want to inspire change in some way. Lately, I have been obsessed with “What Would You Do?” clips, so I would also have to say that John Quiñones is the man.

Is there anything else you would like the Collective to know?

HC: Come see the Vagina Monologues!! If you are in Madrid, our show is going to be baller. And if you are somewhere else in the world, find a show near you!

And just as importantly: Stay informed on the issues. One in three women on this planet will be impacted by violence in her lifetime. That is an alarmingly high number. The first step in changing those statistics is being aware of the facts. Change comes from within and every person on this planet can do their part in ending violence against women.

FMD: We are really proud of our cast and crew, and cannot wait until we put up our bilingual production in Madrid. Also, we are always looking for help, so if you are in Madrid and want to get involved, let us know at vdaymadrid2013@gmail.com

Shout out to…?

HC: All the “Bobs” of the world! One of the Monologues in TVM,Because He Liked to Look at It, is about a woman who learns to love vaginas after she is with a guy named Bob. Bob loves vaginas and understands how they are magical, beautiful, powerful, and oh so very important (we all came from a vagina!). We need more men like him in the world!

FMD: Eve Ensler, the author of TVM; and all artists, and activists who work hard to make the world a better place. My very own “Bob” and my mom, hi mom!

-Reflection and Response.

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Feature: Festiva

Festiva is quickly making a name for himself as a producer/DJ in the techno/tech house/progressive house scene in the Bay Area. A local resident, he has started putting out releases on international labels such as Mandarine Music, Deux Minds Records, Spundae Black, and Proton Music. Releasing his first EP “White Leather Couches,” on Mandarine Music in October, he looks to finish a full length album by the end of 2012. When he’s not in the studio, Festiva can be heard spinning his grooves at some of San Fransisco’s biggest nightclubs, such as Ruby Sky and many other dance floors throughout the city. Check the conversation below, links to Festiva’s sound cloud and Facebook and check out his track “Take This (Original Mix).”

Leading off with some basics, where are you from? And where are you at?

F: Born and raised in the Bay Area, United States. I’m currently based and providing grooves and bass directly to dance floors in San Francisco.

What does Reflection and Response mean to you?

F: I think any form of art, whether it be music, a film, a written piece, etc., that you as a listener or viewer can get an emotional, hormonal or thought evoking response from is Reflection and Response. Especially artist to artist because than we can inspire each other and hopefully help influence each others next piece.

How does your creative work fit in with that definition?

F: I try to make my music innovative, taking influences from all different types of genres and experiences while also staying true to the roots of techno, tech house and house. Alongside trying to putting together an infectious groove that just makes you want to step and bob your head, I try to tap into different hormonal responses from the crowd. In one of my recent releases, She Makes Me Animalistic, I attempted to “tease” the listener on the dance floor making them feel a particular hormonal release, even if it is just slight enough. With my latest EP release, which came out on October 22, 2012 on Proton Music, I wanted to make the listener feel like they are in a VIP party with white leather couches and glass tables, surrounded by promiscuous and mischievous people.

What else have you been working on recently? What are you looking to work on next?

F: I continue to work on my first full length artist album, which I am hoping to finish by the end of 2012. The majority of producers in the techno / tech house / house scene prefer to stick to the single or EP releases, which is a great approach, but I wanted to take a new approach and put together an album that progresses the same way a DJ set would. I also have started putting together a label of my own with a good friend of mine. We are hoping to have it ready and launched by early 2013.

Who or what inspires you?

F: When it comes to performance inspiration, I get the majority from one of Ibiza’s titanic DJ’s Carl Cox. His ability to mix flawlessly night after night on any type of gear while being able to keep the crowds attention for hour after hour, day after day, is something I look up to. In this day and age, every DJ is beginning to just copy whatever the “bigger” DJs are playing in hopes to get the same attention those DJs get, it’s predictable and boring. Like Carl, you’ll never hear the same set from me. I will always be mixing in something new or different to keep the listeners on edge and playing off the vibe and energy of the crowd. My sets are always pieced together on the spot, nothing is ever premixed or predetermined. When it comes to my own productions, I get my inspiration from anything that catches my attention. I’ve found Latin and African percussion really influencing my drum loops recently. Some artists in particular that are inspiring me at the moment are Umek, Belocca, Pleasurekraft and Olivier Giacomotto.

Is there anything else you would like the Collective to know?

F: I like what you guys are doing here. It’s good to see you featuring all types of music, organic and synthetic. I think musicians and producers, today, benefit from being exposed to all kinds of music.

Shout out to…

F: The homies P. Muller and Sneaky V.!

Take This (Original Mix)

Hit the following links to check out more music from Festiva:

http://www.facebook.com/festivamusic/

http://www.soundcloud.com/festivamusic/

http://www.beatport.com/artist/festiva/184505/

Reflection and Response.

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Feature: El Patio de tu Casa

We are honored to bring some new voices into the LIFESTYLE dialogue! El Patio de tu Casa was formed in 2010 when Ana and Mario Viñuela formed a band that had the goal of creating music that inspires emotion in its listeners. After adding Edu on guitar, the band filmed its first video for “Supositiones,” which was nominated for an Asturian Music Award (AMAS).  In 2011, the band released it’s first album “Punto de Partida,” on Espora. After finishing recording, the band started a nationwide tour of Spain and recorded a pair of new singles called “1,” and a new video for the track “El Camino de Vuelta.” After rounding out the lineup adding Jesús Colino on bass and Kiki Dee on drums, the band continues on it’s goal to keep creating and sharing music with those who want to listen. They are working on a new album that is set to be released in early 2013. Check the interview below, links, and the video for “El Camino de Vuelta”!

We always think about our songs as open works that may be rearticulated…This is a process of reflection that helps us to grow as a group and to find a personal language.

– El Patio de tu Casa

Leading off with some basics, where are you from? And where are you at?

EPDTC: El patio de tu casa is a pop band from Gijón, a city in the North of Spain. We are three components (Ana, Mario and Eduardo), all of us had already some experience in music playing with other bands, and we had very clear the kind of music we wanted to do when we set up El patio de tu casa. We started in 2010, creating our basic repertorie and playing our first concerts. The project was constantly growing since the very beginning, and in 2011 we published our first album (“Punto de partida”), recorded several music videos and joined a tour for the main cities of Spain.

What does Reflection and Response mean to you?

EPDTC: It may be something related to the time you need to mature a song or an album. We guess the response is just the consequence of that process.

How does “El Patio de tu Casa” fit in with that definition?

EPDTC: We always think about our songs as open works that may be rearticulated, that may experience an evolution after several rehearsals, and even after playing them in concerts. This is a process of reflection that helps us to grow as a group and to find a personal language.

What else have you been working on recently? What are you looking to work on next?

EPDTC: These days we are in the studio recording our first long play, which we hope to present early next year. It is being a fascinating moment, because we have been working a lot on demos and we are always looking for different solutions to find the appropriate sound, instrument, etc. It is a very demanding work, but at the same time it great to have the time to develop this project.

Who or what inspires you all?

EPDTC: Well… it depends on many things. It is difficult to tell what or who may inspire you at a particular moment. It can be a place, a person, a conversation with somebody or a picture you find in a magazine or newspaper. Our songs speak of everyday life, of the kind of things that are common to human being, and they are always enough open to let the listeners participate in them, so they can make them part of their own lives.

Is there anything else you would like the Collective to know?

EPDTC: We would like to thank the LIFESTYLE and Peter for this interview that gives us the opportunity to get closer to other audiences. We invite you to listen to our music (www.elpatiodetucasa.com) and make it yours in order for you to take it to “el patio de tu casa”.

Shout out to…

EPDTC: Everybody who is reading this interview and listening to our songs 😉

Reflection and Response.

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The Evolution of a Performance: Peter Muller Live in León

Tonight I’m playing a show in León, España at my guy Fran’s Bar Agustín. The name of the event is The Crazy Peters Present ModBlues. ModBlues standards for Modern Blues, because the bar plays this kind of music we had to cater the name a little bit to the audience. I’m not sure if Acoustic/Electric Singer-songwriter hip hop would really work in this case.

The comic together of this show represents the power of community and support in the León music scene. After arriving too late to play at the open mic at the Gran Cafe, my singer friend Mary and I ended up at our friend Fran’s joint, the Bar Agustín. Mary asked me if I’d like to play some tunes for both of them. After jamming through The City and some other tracks Agustín asked if I’d be down to play a show at the bar the following Monday.

Fran then talked to a friend who used to play in one of the first punk bands in León and he  made up the event poster:

I then spent the next few afternoons practicing with Mary who has a killer voice on her roof overlooking Plaza Mayor and the Cathedral:

Next Fran talked to other local business owners and put up some posters around León’s Barrio Humido. This poster is at a local favorite spot known affectionately as “Lo de Patri,”:

Finally Fran reached out to my dude Jota who is the lead singer of Los Platillos Volantes and Jota agreed to lend me and Mary a PA system that his band uses. I will be playing music mostly from Shake This Maze and the Radio Leon Broadcasts.

From the idea of the show, to the artists involved, venue, promotion, equipment, and rehearsals  this is a Collective effort and demonstrates the power of the Leon Musical Community.

I’d like to thank all those involved and see you tonight Live! at Bar Agustín in León!

Reflection and Response

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Feature: Claudia Rojas

Claudia Rojas is a true craftsperson. Growing up in Argentina and Uruguay, Claudia studied various creative mediums including voice. Choosing to pursue her education at the University of San Andrés in Buenos Aires, Argentina, she continued to use music and performance as Refection and Response. She played briefly in a group with Peter called Harold and the Gauchos, see The City and Solitude. Claudia has recently graduated and now works for the historic Teatro Colon and assists with Classical performances. Peep the interview to see a unique youthful perspective on the realities of Classical performance in the contemporary world!

(Reflection and Response) is a very creative process that involves seeking messages in things that might not necessarily speak to us.

Leading off with some basics, where are you from? And where are you at?

 CR: I am from Buenos Aires and I still live in Buenos Aires.

 What does Reflection and Response mean to you?

CR: Reflection and Response could mean many things, however, should I try to reduce the meaning it to its bear essentials, I would place such a meaningful thing in the productive interaction between a human mind and anything else. It is a very creative process that involves seeking messages in things that might not necessarily speak to us.

 It seems we cannot bear to live in a meaningless world, and so, we engage in conversation with anything in the same way a little girl does so with her seated bears at her tea party: pouring out the faint infusion and happy with the endearing delusion that things are put out there for a reason.

 Now I could go on about the incredibly creative process that is the engagement between two or more minds in naturally dysfunctional conversation, but a lot has been said about the destiny of anyone to be misunderstood. What interests me, rather, is what happens when someone reflects and responds to something someone made a long time ago, especially when that something is artistic. I believe it is then that we become those furry things that, in stillness, we feel the warmth of the calling from a vessel that remains true, and all that we’ve been handed at one glance, or hearing, is a cup.

 How does your work at ISA Teatro Colón fit in with that definition?

CR: The greatest challenge of any opera theatre is to keep opera, ballet and symphonic music alive and current. You must encourage, in the words of this interview, reflection and response between artists and the general public.

What makes this challenge difficult? There has been a great divide between art and the public. Centuries ago, art and public sensibility were much more connected through the understanding of the sacred. There’s a ritualistic side to art that was understandable sometime ago thanks to religion and the aperture to a more symbolic life. Contemporary life has diluted such sensibility; indeed, there’s been a lot of talk about art’s death through its loss of aural qualities.  Art has become so conceptual in some ways that it runs the risk of thinking itself purely divine instead of a humble representation of something much greater.

This doesn’t mean I’m saying that art has lost its power at all, but I can think of examples in which artists have become irresponsible. Art in general has become so plural and so hard to keep track of that one needs institutions to show us different narrative paths to art, just like one needs writers/journalists/historians to understand what has happened so far in any national or international setting.

 Places like Museums or Theatres have the great challenge of coordinating sensibilities pertaining to different intellects, imaginations and times.  They remind us that there is an emotional parity between different people that express such sensibility in different artistic currency. But people are not wrong in feeling intimidated; we do tend to appreciate some more than others.

 Who or what inspires you?

 CR: The idea that there is so much work to be done!

 Is there anything else you would like the Collective to know?

 CR: Yes. I am no one to tell you what art is or is supposed to be. My impressions of the art world are quite personal.

 Shout out to/ Thanks to…?

CR: I would like to thank Peter for inviting me to participate in this amazing blog. He has been the only person that has persuaded me to publish anything this year. I’m sure there’s quite a bit of talent in achieving that.

Reflection and Response.


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