Tag Archives: Reflection and Response

Feature: Rasmus Brix

Welcome Northern Europe to the LIFESTYLE Collective! Rasmus Brix is a singer-songwriter whose tunes are both melodic and catchy. Coming out of Denmark, he established himself as an integral part of a growing music scene in Madrid, Spain over the course of the last year. AFter returning home at the end of his stint in Madrid he continues to write and record good music.  Check out the below interview below and Rasmus’s tunes Lonesome Friend and Time is Not.

Leading off with some basics, where are you from? And where are you at?

RB: I am from a small town in the outskirts of Copenhagen called Brøndby. It has a lovely forest and a beach. It has its ups and downs like all other places, I guess. The ups I like. Today home is Copenhagen.

What does Reflection and Response mean to you?

RB: To me reflection is the gathering of thoughts and impressions followed by a good stirrup and a change of lighting. Response is (and is sometimes not) a relatively spontaneous reaction to something relatively permanent, prepared and thought through. That and more.

How does your music fit in with that definition?

RB: I’m not sure if it does. I guess the songs I write are responses to reflections – and sometimes they are the reflection.

What else have you been working on recently? What are you looking to work on next?

RB: I’ve been writing songs and playing them. Next project will be sorting out my situation at the university and maybe find a job.

Who or what inspires you?

RB: “THE INSPIRATION”. People, songs, books, conversations, thoughts, doubts, moods, etc. At the moment listening to Ben Howard makes me want to write and play. Sam Cooke is singing in my headphones while I’m writing this, and I like it. I met a friendly gentleman called Juan Luis on a train a few weeks ago and our conversation made me write a song. I’ve written a song to a tree. Bob Dylan showed me that it’s OK to use simple chords. Van Morrison, Nick Drake, Bon Iver, James Vincent McMorrow, Johnny Flynn, Paolo Nutini, The Bowerbirds, The Rumour Said Fire and The Black Keys are nine inspiring groups/ musicians on a list I haven’t got the patience to carry on with. I don’t know. It’s all a bit messy.

Shout out to…?

RB: Oswaldo for stopping and listening that one cold Sunday afternoon in the park when fingers were getting cold and sore, – and for inviting me to come play in the studio, of course; people at bars and streets in Madrid for clapping their hands and filling me with that good stuff that feels funny and calms the nerves; troubadours and other music men and women from hither and thither.

Be sure to check out Rasmus’s Soundcloud for updates and new tunes.

-Reflection and Response

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Snapshots from the Collective

New Mexico Skies by Megan Branch

Reflection and Response.

The Snapshots from the Collective series works to create a space for Reflection and Response through photography. ANYone who wants to contribute ANY photos to this project can email us submissions at the.lifestyle.rr@gmail.com. One photo will be posted each week, and photos will only be used for the purposes of this series. Thank you and we look forward to building and expanding the Collective!!! -P & V

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The Porch Swing: WORD of the day

WORD of the day XV, by Samuel Bostick.

Photo courtesy of Creative Commons, Jim Natale.

Haunt n. 1) To visit often. To continually seek company of. 2) To have a disquieting or harmful effect on. To recur constantly and spontaneously to. To reappear continually in. 3) To visit or inhabit as a ghost. | v. 1) To stay around or persist. 2) To appear habitually as a ghost.

WORD of the Day: Haunt [Part II]

A pensive mind, passionate, in search of answers. Heavy Shadows. Never can satisfy that one prompt; why –> Why –> WHY…it goes on and on. Still I digg, whether the digging is into a grave or an escape there from is uncertain. That, only time will tell. It is the hunt that gives me the courage to persevere, the strength to endure.

Compelling to the point of frightful exclaim. Revisiting; pulling pulling pulling in opposition to the times. Birthed of darkness; A seed of the misunderstood, the feared. Those eyes speak unforgettable terrors. No comfort, empty hearts, cold shoulders—heavy with chips inherited from our parents (or lack thereof), and our parents’ parents, on and on. Generational curses. Attempts to ward off with proverbs, prayers and purple smoke. Numb to the ills, hyperactive youth, rebellious souls, sophisticated transgression.

Understood that understanding is not the framework of the visit, nonetheless there must be reason, some cause to this affect. Living yet not alive. A matter of time and space infiltrated by unbreakable will. That which understands oh too well that sleep be the closest kin to death and has refused to accept it both in this life and thereafter.

The wandering waves of apparition, frightening fantasies of time turned back. Late. With grave sensitivity if I may interject—I must repeat, Late. Dreams, ambitions, kindness, anger, that revolutionary will to live, the lust for life that keeps expired eyes ablaze…All Late. Let it be as is, may it pass. Let go. For the tighter the grip the more it must be pronounced…L-A-T-E. The more desperate the cling, the greater the denial, the more power time has, the greater its rule. Has it not already become the master of precarious life?  The preoccupation of that final chapter; a tale past its prime. Death the peacemaker, what a grim truth indeed, still it is and has always been. The equalizer, that weighty sentence of that very first sin.

Never more glorious a fall, never an exile of such epic proportion…Paradise Lost and furthermore to be determined. A scale set for that of the soul caliber. Choose wisely and understand your character, develop that to the fullest. Play toward your strengths, take mind to liquidate any weakness.

Cold mallets clapp, hammering down the rustic rhythm, beating out the Fearful sounds. The icey chill off the warped amusement of sonnets never quite heard before nor reproduced. No, this place has a sound of its own. An eerie mystique—smoldering, foraging about where peace once was. That sly devil, oh that crafty harlot. It has been told No Church in the Wild, this on the other hand is a sanctuary, a place of darkness. Breathtaking. The soar of unsettled minds, demons abound, rage un-cooped, yes freed of pious subscription. A mysterious sort of orchestration; Dark enchantment, how wonderful the allure.

How it comes alive, whizzing round and bout, lifeless spirits thriving on only a strong disdain for death and that has become almost life in itself, again precarious in situations, nonetheless life. Parasitic life. The air thick, smoldering, suffocating bombardment, pushing invasively the heavy stench upon the tongues pallet summoning up bitter bile held back only by tightly sealed lips. No breathing rather heavy seething death gulped down to the lungs. Grasping at the throat, tighter a cling as the seconds pass…The ecstasy irreplaceable, euphoric captivation of the spirit, the numbing to deaths grip, soon realizing that it is not longer the hand of grimace upon your neck, rather your own. How peculiar…How oddly removed. Has it not always been? No real answers not here…each a captive to own ills…to those character flaws and murderous claws of demons within…those haunts never spoken of. Shhhhh, silence! It may hear you…it may show up…don’t call it! Do not wake the beast!

All an illusion; a drama enacted, to hope, to feel, to despair that there is some authority, that somehow control is ours. Don’t sleep then. That is my only advice. I have been there once before. Darling do not sleep. My dearest friend fast from slumber! Brother, sister of mine hold out on sleep, stay woke!

Heavy eyelids. Inevitable hope. There it. Woke again.  Fighting fright. Is that? No don’t. Come Back. Far Gone. Death ushered. Night spell. Stay strong. Arm yourself.

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In this hour, that of the haunting, do not fall ill to weakness.

Reflection and Response.

Samuel Bostick

@THEREALSHANTS

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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Song One

Song One is a track I wrote 6 or 7 years ago. At the time I was experimenting with new chords. I re-recorded it two weeks ago (end of July) at the camp I was working in Robledo de Fenar, León, España. I then mixed and mastered it today (August 13th) in León Capital. It was a dope process to look back at this old track and revisit the arrangement. Sometimes we change old tracks based on new experiences, but this recording is more or less the same tune that I wrote back in my parents house in Berkeley in when the guitar was still so new.

 

-Reflection and Response.

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Snapshots from the Collective

Untitled by Danny Kaufman

Reflection and Response.

The Snapshots from the Collective series works to create a space for Reflection and Response through photography. ANYone who wants to contribute ANY photos to this project can email us submissions at the.lifestyle.rr@gmail.com. One photo will be posted each week, and photos will only be used for the purposes of this series. Thank you and we look forward to building and expanding the Collective!!! -P & V

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Reflection and Response: The Zine, Volume I

Reflection and Response: The Zine, Volume I is a project we have been working on for the past couple months. This collection of thought, craft, and experience is rooted in the processes of Reflection and Response through the artS. We decided to compile many of the installations from the first 9 months of our Feature series into a pressable format in order to fully appreciate and expand the timeless dialogue that these artists have engaged in. the LIFESTYLE collective presents this Volume with hopes of building further dialogue, collaboration, action, and artistic exchange locally and globally.

A true thank you to the following nine contributors for bringing their powerful and inspiring work to the collective:

  • Samuel Bostick
  • Megan Branch
  • Danny Kaufman
  • Diana Cervera
  • Stefan Paul George
  • Vatche Donikian
  • Leopoldo Pérez Obregón
  • Vivian Garcia
  • Ellie Cross

The Zine is available for FREE.

In order to grab a copy:

Directly from Peter in Leon, España or from Vicken in New York City…contact the.lifestyle.rr@gmail.com.

Online ($5 flat shipping cost)…

 

 

 

Thank you for supporting the LIFESTYLE collective’s first publication!

Reflection and Response.

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The Porch Swing: WORD of the day

WORD of the day XIV, by Samuel Bostick.

Photo courtesy of Creative Commons, Jim Natale.

Haunt n. 1) To visit often. To continually seek company of. 2) To have a disquieting or harmful effect on. To recur constantly and spontaneously to. To reappear continually in. 3) To visit or inhabit as a ghost. | v. 1) To stay around or persist. 2) To appear habitually as a ghost.

WORD of the Day: Haunt [Part I]

Allotted time past, still living in the moment. Finding life in the haunt; refusing to let go, constantly presenting in this moment. Uneasy death, no peace in rest, those ‘things’, phantoms refusing to lie still. Pressing constantly on the memory, revealing itself with spontaneity. Once it takes habit in the frequent, the repetitious visiting, it has made its mark, claimed your space its own. Yes, most peculiar is that spontaneity of the haunt. Predictable? Never. Passing in and about as found suitable only to unruly agenda. And so it begins… the terror not only lie in the visit—no, its not so simple. A proper haunt never leaves, always present, even in absence. Each moment it could appear. Each second an opportunity for a fantastic visit. Without presence still ever plaguing the present. Your mind; memory of the last, anticipation of the next. A past with a mean potential of reoccurrence. The threat of a phantom visit, the anticipation of when or where; pressing, consuming, weighing on those nerves that were once so steady, so innocent. Nerves never to be the same, Not after the haunt at least. Not After The HAUNT.

That is the haunt… dancing upon each silent note, treading through each rest, measure by measure; six eighths timing—music rolling, tension winding. Twisting silent anguish upon the taunt of the next eerie note. The thrilling sense that it knows just what it is doing, almost premeditated. Mockingly chewing away at your peace, piece by piece. Most odd, you finding yourself wishing it back already, that it would just appear, that it would show its ghoulish self so it could be over and done with…silence…if only it were imagination; a game your mind has played. On the contraire, it is a game being played upon your mind…a nocturne of chords keyed out that mimes fingers…hypnosis; body and soul… the cold reality, too sensational for doubt. Something beyond the tangible.

Reflection and Response.

Samuel Bostick

@THEREALSHANTS

the LIFESTYLE’s role is to create collective space for active Reflection and Response through the arts. This space is built around dialogue, expression, collaboration, and artistic (ex)change involving international craftspeople and their realities. The Porch Swing series opens up a Reflection and Response residency where we feature a Collective member’s ongoing project through weekly installations.

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Contours, Part I: Lamp with Plant

Lamp with Plant is the first installation in Contours, a series of drawings that I’ll be developing over the next several weeks. This series is based on methods of blind contour drawing, which involves drawing contours, or outlines, of forms while looking at subjects, without looking down at the paper or lifting pen from paper. Being “blind” to the drawing process essentially breaks the connection between seeing and drawing and leaves them physically isolated from each other. This makes it necessary to attempt to re-create that connection by focusing on seeing as if you were drawing, and then drawing that vision. Blind contour is often used simply as practice to strengthen the eye/hand connection, but I find the resulting drawings very truthful in their structure, layout, and irregularities. Contours will show my Reflection and Response interactions with various people, places, and things through focused and “blind” studies.

Reflection and Response.

V.

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