Tag Archives: Global

Peter Muller Live in Granada Recap


A few weeks ago I went on my first LIFESTYLE-organized tour of looping/DJ sets. I started out with three performances in two days.Two sessions were to be at bars (Republik Club in Madrid and La Iguana in Granada) and one at a hostel also in Granada (Casa Bombo) overlooking the historic Alhambra. However, I ended up finding an opportunity to spit lyrics from Shake This Maze at a weekly jam session at the Boogaclub in Granada at the end of the weekend. Below is a photo/written recap of the First LIFESTYLE Tour.

We’ll start with the tour poster, designed by none other than LIFESTYLE co-facilitator Vicken Donikian.

Peter Muller Live on Tour Madrid / Granada

V conceptualized and completed the piece during a weekly marathon Skype session as we discussed tour goals and possibilities. Part of what makes a LIFESTYLE tour is the important idea of spreading the Collective in order to learn from and collaborate with those who practice Reflection and Response in different contexts. Below are the fliers I brought along for the ride to present to creators (Also by Vicken):

PM Flyers (6) the LIFESTYLE RR Flyers (6)

First up for the tour was a session in the cavernous basement at Republik Club in Madrid. I made the connect at Republik because the same family that owns the bar also has a locutorio three buildings away. Before I got internet in my apartment in Madrid I would visit the locutorio to both work on projects and try spit game at the super cute girl that worked the register.

After packing up for my 8 AM bus ticket the next day, I headed out to Republik for the first session. I listen to the end of a blues jam in the cave and with the homies Chema and Richard, then set up my laptop and APC 40 at 12:30, ready to rock.

Republik Dj Peter 3 Copas 10 Euro Republik

A lot of my Madrid people came out- word to those who made the cave rock for a solid three hours. After grabbing some late night pizza I went home to sleep for a supposed 2 hours.

5 hours later I had slept through my alarm and missed my bus while managing to leave both my camera and an audio cable that goes from my external soundcard (Traktor Audio 2) to RCA inputs. I booked a later bus ticket and hailed a cab going straight to an audio store to pick up a replacement cable. I had to hop out of the cab and leave the driver with everything- laptop, APC, clothes, while I ducked in to pick up the piece. After purchasing a new 8 meter cable, I headed outside to a street with no cabs. For 5 minutes the world stopped and had forgotten about me. I started considering how many English classes I would have to teach to replace my stuff.

Then, suddenly I heard the cab driver whistling to me on foot. He started to run to the cab parked a few meters away, I followed and we jumped in. As we neared the station told me that he would never rob the tools someone uses to work with- a good omen after a stressful beginning to the tour.

The show at Casa Bombo was supposed to start at 6. However, as I knocked on the door at 7:30, one of the managers greeted me warmly and showed me the room I was to stay in for the night in exchange for the session, where I showered up and prepared the show. The patio of the hostel had this view of the Alhambra:

Casa Bombo Day Patio

I ate some bomb homemade Italian food (most of the managers were Italian), then hit a session in their sala (you can see Reflection and Response Vol. 1: the ‘zine next to the fliers):

Casa bombo Session

After looping for about an hour and a half I headed out to a bar called La Iguana for the third session of the tour. Rubén, the bar’s owner, met me outside and I quickly set up and started in with Funk Around, which has become my opening track for sessions. Rubén kept the tapas coming, and again I set up the #LRR Fliers near the setup.

Iguana APC Iguana Set Up

Tapas Iguana

Rubén is one of the most legit bar owners I’ve met and I was stoked when we made plans to kick it the next day. After sleeping in at Casa Bombo, I headed out to check into my second hostel and met up with Rubén, his awesome girlfriend Pilar, and some other homies to grab some tapas. They let me know that there was a jam session with an opportunity to perform that night at the Boogaclub, a bigger venue in the city. We agreed to meet up later on.

As I walked back to the hostel from tapas with the crew I snapped a few pictures with my phone.

Skateboarding is not a Crime Cafe Bar Granada

I feel the idea that these images could come from wherever. The Reflection and Response detailed in the scenes bring up this anti-territorial, global nature of R&R. Skaters want to declare their innocence anywhere, and blues is advertised in places far from Route 66.

The biggest surprise of the tour almost never happened. I met Ruben and Pilar at Booga around 11 P.M. After listening to a jazz band kill it for an hour, the homies had had enough and had to go home to get some sleep. I was ready to leave too until I saw a guitar player standing outside the club who assured me that we would be able to perform. I headed back down to the stage this time unaccompanied. I spotted another guitar player tuning up and asked him what type of stuff he was going to play. He introduced himself as Mario, and said he does funky Red Hot Chili Peppers-esque grooves. I realized with the abundance of guitar players, I would have to bring something unique to the stage, so I let him know I was interested in rapping a few verses over the instrumental groove he was about to set up. He sounded excited and when we hit the stage, it felt right to spit “Wake Up,” as part of a once-in a lifetime remix.

This moment encapsulated what the LIFESTYLE on tour is all about- Promoting Collaboration and Community Through Practicing Reflection and Response. Mario and I had just met, but when we were done with our set we realized the common thread of R&R breeds Collective- wherever that collective happens to be. Be on the lookout for Mario and Ruben’s Features coming through soon!

-Reflection and Response.

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Feature: Frédéric Bussière

It´s Friday, which means we welcome another voice to the continuing diologue over at the LIFESTYLE´s Feature series. Frédéric Bussière uses primarily visual mediums to practice Reflection and Response. With experience that spans many places around the globe, Fred’s perspective is aided by difference lived and learned. He is also our first Collective member who currently resides in France. Peep the dialogue and links below to get to know the Craft behind the person that is Frédéric Bussière!


Leading off with some basics, where are you from? And where are you at?

FB: Hey, my name is Frédéric Bussière, I’m Franco-Portuguese. Concerning where am I, that’s a bit harder. Right now: Paris, but I just came back from Sydney and I lived in Bonn, Germany and Buenos Aires before.

What does Reflection and Response mean to you?

FB: For me Reflection brings me directly to an image of myself, as an artist. It is the assessment of critiques from those whom I work with and from the public. It is then a mirror, generated by others. In a general manner, I take a selection of these judgements from my peers, the others videographers, motion graphics designers and animators. I work most often for these critics, and my friends, than my clients.

Response, for me is the physical phenomenon. It rains, you are wet. It’s the response in the most obvious sense, the law of cause and effect. In French I would say: Under the budding poet hides a mathematician. I have no idea how to translate that in an English expression however.

How does your work fit in with that definition?

FB: My work, what I film and edit, what I draw, are my Response. I could not, not do what I do. It’s almost therapeutic. It is very much a need; to create, to tell stories, use my hands to realize something ambitious. I do not respond to the public, I respond to myself.

Reflection is only the manner in which I do things, my style, and my artistic direction.

What else have you been working on recently? What are you looking to work on next?

FB: At this time I am making a lot of commercials for fashion brands, and lingerie, as well as producing animated sequences also for advertising. These projects are short and varied, which allows me to really experiment in several different domains: video, stop motion, traditional animation, and 3D.  But what I really start to miss is fiction. I really tried as much as I could to bring a story to my commercials, but it still remains advertising, and their goal is to sell a brand image, a product, and not to tell a complex story.

In Sydney, I started to film electronic parties. My old flatmates were DJs and really brought me into the nocturnal life (even if the Australians begin their nights at the beginning of the afternoon, lol). After that moment, it became clear that I wanted to produce music clips. I hope to be able to start my first music clips in early 2013. However, the competition is really tough, and it will be much harder to set my foot in the door, especially here in France. That’s why I look towards the US.

At this time, I am finishing a live-action short feature, and I will try a new concept of narration this winter in Sri Lanka: a short interactive feature. But I can’t say more…it’s a secret. ^_^

In the end, two years ago, I founded with four other friends, a film and production studio: tadaaam-studio.com that allows us to finance animated fictional projects that are in general, very complicated to make feasible without a structure that a studio can provide.

Who or what inspires you?

FB: (for the free beer ^_^). Classical painting, photography. All these works of art tell stories, and going into museums is like going to the movies. It’s a passive inspiration I would say, and that orients my work at the written level.

Similar to that, there is a fast-growing technology that allows me to regularly create something that would have cost thousands of dollars a few years earlier. So the ever transforming domain that I work in also serves as my inspiration. I love video effects, like those of Michel Gondri (a French director who made music videos of the White Stripes, Killie Minogue, Daft Punk, Bjork..) and I “borrow” quite a few ideas from experimenters who you can find on the internet, but I won’t say their names so that I can keep my inspirations secret (evil laugh).

At this time and for several years, I have been fascinated by the work of Merlin Bronques. He is a photographer from New York who photographs the craziness and the women in huge international parties. The entirety of his collection creates a sort of documentary on the world of hipsters, of the youth who party as much as their bodies can take, of free women, of money. He is always where he must be, when he must be.

There is also those areas that I feel are rich in ideas, but that I have not yet explored, or haven’t dared, like contemporary dance.

Is there anything else you would like the Collective to know?

FB: Contemporary art, when it’s about watching a pile of rocks on the ground, and when you must read four pages to understand what it’s about, that annoys the hell out of me. These artists should become either intellectual writers, or take drawing lessons.

Shout out to…?

FB: To all my friends who I have met during my travels around the world, and who I fear I will never see again.

A big thank you to the Lifestyle!

personal work: http://www.fbussiere.com

my company: http://www.tadaaam-studio.com

Reflection and Response.

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Reflection and Response: The Zine, Volume I

Reflection and Response: The Zine, Volume I is a project we have been working on for the past couple months. This collection of thought, craft, and experience is rooted in the processes of Reflection and Response through the artS. We decided to compile many of the installations from the first 9 months of our Feature series into a pressable format in order to fully appreciate and expand the timeless dialogue that these artists have engaged in. the LIFESTYLE collective presents this Volume with hopes of building further dialogue, collaboration, action, and artistic exchange locally and globally.

A true thank you to the following nine contributors for bringing their powerful and inspiring work to the collective:

  • Samuel Bostick
  • Megan Branch
  • Danny Kaufman
  • Diana Cervera
  • Stefan Paul George
  • Vatche Donikian
  • Leopoldo Pérez Obregón
  • Vivian Garcia
  • Ellie Cross

The Zine is available for FREE.

In order to grab a copy:

Directly from Peter in Leon, España or from Vicken in New York City…contact the.lifestyle.rr@gmail.com.

Online ($5 flat shipping cost)…




Thank you for supporting the LIFESTYLE collective’s first publication!

Reflection and Response.

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Reflection and Response: The Zine (Pre-Release)

Reflection and Response: The Zine, Volume I is a project we have been working on for the past couple months. This collection of thought, craft, and experience is rooted in the processes of Reflection and Response through the artS. We decided to compile many of the installations from the first 9 months of our Feature series into a pressable format in order to fully appreciate and expand the timeless dialogue that these artists have engaged in. the LIFESTYLE collective presents this Volume with hopes of building further dialogue, collaboration, action, and artistic exchange locally and globally.

Thank you all for your continued support and lookout for the official release coming up soon! The Zines will be available for FREE distribution anywhere.

Reflection and Response.

P & V

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