Author Archives: the LIFESTYLE

NASDI Ain’t It??

NASDI Ain’t It??

Roll call. This is an ill breakdown. An interesting moment of inactivity for something that’s usually in motion.

Stutter-step..

Reflection and Response.

V.

P.s. who caught the musical reference-tribute-salute? Tweet us your response @LIFESTYLE_RR or hit us up in the comments!!

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Argentina Thursdays: From Jujuy to Buenos Aires

This week I present two mash ups. One is “Horn Track,” and it samples my friend Pablo Martinez’s horn line. His music is directly influenced by his home region of Jujuy, where he grew up before coming to Buenos Aires for college (See “Things a Peña Does” below for more info). This was one of my first Argentine folk music mash ups. I threw some drums, piano, and some distorted electric guitar on the horns to fill out the beat.

Horn Track

The second mash up is entitled “Porteña de mi Corazón,” and is a remix of a king of Argentine Tango Astor Pizzola’s track Libertango. Here I threw some drums, bass and a little sax and vocal breakdown in the middle. This track is for my man Nassim, who told me he felt it way back in 2010 in our apartment in Buenos Aires.

Porteña de mi Corazón.


These two tracks are remixes of two versions of the many identifications of Argentine music.

Reflection and Response

-P

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From the GROUND Up

From the GROUND Up shows another structure with deep character. Notice the multiple phases of lettering that have been put up, built in, worn in, and removed over time, whose ghosts are rusted over but still visible.

Reflection and Response.

V.

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the LIFESTYLE

Yo! This week the Photography element of the LIFESTYLE comes alive!! Let’s finally take a look at the full-size version of our current banner photo, self-titled: the LIFESTYLE.

Took it this past summer while walking the High Line park in New York City. This section always looks so dope to me: barbed wire, chain link fence, metal pipes, hand wheels, and old/weathered paint. All these pieces weave together to create an interesting figure with mean character and stories for days…

Reflection and Response.

V.

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Flute Beats

The LIFESTYLE has been a place of collaborations. One of my favorite projects has been recording over the years with my cousin Rachel Ballister. Rachel has played flute for years and when my family would go to Los Angeles (Lomita!) to visit them, I’d bring out the laptop and we’d get something together.

Flute Beat 1:

Here I sample Rachel doing some warm ups from her classical book. This was our first callabo from 3 or 4 years ago.

Lomito Burrito

This track started as a chord progression I came up with on the guitar and Rachel and I worked in her melody, which she wrote. Then myself, her, and her sister Sarah all recorded a hand clap. At the very end we got a little off and you can hear Sarah saying “Sorry!” on the record.

Xylophone:
This track was a collaboration through time and space. I recorded a zylaphone part at a church in Seattle where the homie Clarke had a practice space set up. Then on a family vacation in LA I asked Rachel if she wanted to play on the track. Her part really helped out the verse. I finished up the track in Spain in September 2011. The sample at the end is part of Whitney Houston’s I Will Always Love You. The sample appears around 0: 50 in the Whitney track.

Reflection and Response

-P

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Feature: Megan Branch

Live from the LIFESTYLE workbench…Feature No. 3 is here!! It’s hard to believe a month has already gone by since the debut of our feature series with Samuel Bostick, followed by The Know Nothings two weeks ago…

Today, we are PROUD to present the one and only Megan Branch, a woman with mad creative talent in acting, singing, dancing, photography, and writing…Reflection and Response to the fullest, in all contexts. Her drive and passion for her craft continue to inspire us in our own work.

She was featured singing the hook on Peter’s acoustic version of He’s Your Guy last month. Now, through the LIFESTYLE interview followed by an excerpt from a rant she created, we take a look at how Megan defines herself and her work. Digg!

Leading off with some basics, where are you from? And where are you at?

MB: I was born in Albuquerque but I grew up in Santa Fe, New Mexico. Right now I live in Brooklyn, New York.

What does Reflection and Response mean to you?

MB: Reflection and Response in my life is the ability to be moved and changed by the world around you, whether it be a painting, a song, a piece of conversation you hear on the street, a beautiful sky, a delicious meal, a piece of text, a news article, anything that affects you and in turn changes you, inspires you enough to further create and respond. Now, that response also comes in many forms, like a LIFESTYLE blog, one line of poetry or a raw fit – to me reflection and response is when art in its many forms affects you in such a way it alters the way you view the world, it changes you, and you it. This change begins a conversation, a response, and in my opinion, makes the world better than it was before.

How does Ghost fit in with that definition?

MB: Ghost is an excerpt from a rant I wrote in my Chicano Teatro class my senior year of undergrad at the University of New Mexico. The title used to be called This is Why You Hate Me, needless to say I was very angry at the time, specifically with the person whom I’m addressing throughout the piece. Anger can definitely be inspiring and is almost necessary when writing a rant. But I think since I’ve revisited this piece recently I have found that I am less angry but still passionate when speaking to this person through my writing and have since edited the final paragraph with a different point of view. Reflection is beautiful in that way because I am recognizing that my work is growing and changing and morphing and through my response I can now make something new.

What else have you been working on recently? What are you looking to work on next?

MB: This rant inspired an image, which has inspired the opening scene of a one woman show I started writing this past summer. I am hoping to have it finished and start performing it within the next year. Stay tuned! I am also in the middle of rehearsal for Execution of Justice by Emily Mann at The New School for Drama where I am getting my MFA in Acting. The play opens in two weeks and I’m hella excited to be making my New York stage debut! haha.

Who or what inspires you?

MB: New York City is definitely an inspiration everyday. I see such crazy things here, such glimpses of humanity on the street or on the subway. New Mexico inspires me. That beautiful part of the country, my history, and the history of my family fuels everything I do. All of my family and friends that live there keep me pursuing my dreams. I see what my grandparents have done with their lives in order to give their children and their grandchildren opportunities they never had and I feel so moved to continue to create and educate myself on their behalf. Their love and support keeps me going. Education inspires me. I can’t seem to read enough or watch enough or see enough. My favorite playwright is Cherríe Moraga, her essays are also incredibly inspiring. She inspires me to continue to write and ask questions about who I am and my place in the world and meditate on those questions deeply. And Vicken my muse, lol, no but really, Vicken is MORE than inspiring.

Is there anything else you would like the Collective to know?

MB: THAT THE LIFESTYLE IS SICK! And KEEP IT GOING HOMIES!

Shout out to…?

MB: To my sister Sierra who just started seventh grade and is growing up way too fast, she’s so smart and amazing and I’m so proud of her.

To my beautiful mom Mary who battles Leukemia every day but is still living to tell the tale! She is such a fighter and surviver and the best mama. I love her so much.

To my homegirls; Mimosa Twocrow one of the most creative people I know, a sick make-up artist, and ill photgrapher, get out here to NYC ASAP. And Klarissa Gallegos you too! It’s time to make your restaurant idea a reality! Much love.

To my professor Leonard who assigned our teatro class to write a rant. And introduced me to so many incredible playwrights.

To Chris Leslie who directed me in my first play when I was eight. That theatre was my refuge and I don’t know what I would have done or who I would be without it.

To Ernie Badinsky the Polish Prince. One of the most creative people I have ever known. I will now make art in celebration of the incredible life he had.

To E, with who I can’t even begin to describe all of the life gifts you’ve given me, you taught me that being an angsty teen was okay and gave me outlets for it, to name a few Johnny Cash, Modest Mouse, and Quentin Tarantino.

To P-Mu who’s going hard in Spain and doing big things! Thanks for including me in your music Pete, it means a lot.

And to my cariño Vicken. One of the smartest and most beautiful people I know. Talk about making dreams a reality! Vicken DOES IT. He never neglects his own ideas and I always see them come into fruition. From the day I heard about the LIFESTYLE as just a random topic of conversation to the day I saw him and Peter launch it in our apartment. Vicken never fails at being 100% who he is and putting 100% in everything he does. Vicken is always Vicken no matter where he is or who he’s with and that teaches me so much. He is one of the most talented artists I know and inspires me to devote more to my art everyday. Te amo.

Ghost (excerpt)

“Invite that brown friend of yours over HERE” your mother said. She couldn’t remember my name – “she doesn’t come from anybody we know”, “what’s her last name?” “Yeah I’ve never heard of them.”

My brown skin blended in with the saltillo tiles and adobe. I felt her eyes pierce through my new transparent self.

The ‘Mexican Room’ as you called it, decorated with rugs and furniture and a collection of Mexican dolls smuggled across the border like immigrants in your father’s van. I snuggle up against them and sit with them on the shelf. Together we stare aimlessly at this odd family around us, forever missing our home, they were my camouflage, my friends, foreigners just like me.

When I discovered the ‘servant button’ built into the floor under the dining room table, placed ever so conveniently for the masters foot to beep, I buzzed it repeatedly, for minutes on end, you told me to stop but my finger pressed on, I hid under the dining room table…waiting for a ghost, my ghost to enter dressed as a maid.

“Get up!” she whispers. “Fly away!”. “Fly away” she yells! I grab her hand and we fly out of the window and up into the sky, we fly over your house and onto mine. As we fly my ancestors join me from Delia and Las Vegas, Albuquerque and Mora. We laugh as we fly over Los Sangre de Cristos and Las Sandías. We are free and together, juntos at last. Our laughs get louder and our whispers get stronger, you think it’s the wind and so we keep on laughing. I wave to my mom and my grandma below…I laugh harder and harder until my laugh wakes me up…I am met with the angry yell of your father telling me to stop.

Reflection and Response.

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Home and Away

The deep archives, part 5. One last look back before we move forward!

Graphite and watercolor on paper.

Home and Away is another piece from my transportation series. Using two very different mediums (pencil and watercolor) always adds a new dimension to the game, new ways to express.

Reflection and Response.

V.

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Argentina Thursdays: Dreams

While in Argentina I continued to write acoustic guitar-based tracks. This one uses a drum set I created from samples from various Led Zeppelin songs that I later used with my melody. The horns come from a sample of Argentine music that somehow came out as the blues.

Reflection and Response

-P

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Middle Men

Middle Men is inspired by the film of the same name.

The beat is a sample of Angolan-Spanish artist Mila Domingos’s “A Minha Måe da Alma,” and “Necesito Un Trago,” by Spanish band Tequila.

I came across these two tracks by finding two random cd’s here in my apartment in Spain. I guess they were just meant to be mixed.

Instrumental

Full Track


Middle men these middle men/ Have you seen the film is that car real that house he’s living in/These girls are really thin/ Waist non existent/ Straight shooter dude finances vixins/ Every day’s Christmas/ For five years/ Then the fed follows him/ Stress is so near/ Bought his wife every dress/ Her eyes blessed with the cross with diamonds so clear/ House on a hill these designers appear/ Style of queens suddenly here/ Coat of arms  with a picture of the farm/ That her father built with arms/ In the Texan marsh  atop a steer / Now she parks her Benz by the mark/ That says St. Johns mother of the year / Lifestyle of the rich and aimless/ Gain everything through bank statements/ he’s stone cold no more late payments/ middle class man’s made it

I bet he never gave a fuck

And that attitude it attains so much

And then that porn star girl friend becomes  reality/ The screens a better place for fantasy/ fallicaly satisfied his mind isn’t/ Erection’s easier than to get the mind lifted/ He finds her stricken between guys a party where clothes are forbidden/ And decides there’s a limit

This hottie’s true nature forever apparent/ Remembers being a family man and a damn good parent/ Turns out he’s cool with the feds/ His products helps to send rockets to terrorists/ So the bureau tells him get out no issue, he made millions/ Off us lubiderm and tissues/ Millions off lust use computers to live through/ These actors whose dicks cruise through tits it’s a refuge/ For the lonely and sad/ Until I realized porno’s is something we all grab

I bet he never gave a fuck

And that attitude it attains so much

Reflection and Response

-P

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