Category Archives: Music

Argentina Thursdays: A Pair of Coplas

Buenos Aires, early 2010. Coplas. Found throughout the Spanish-speaking world, the set up is a call and response format accompanied by a bombo, or drum. The coplas I recorded by folk music activist Pablo Martinez are Andean in origin. The instrument that sounds like an elephant is called an “erke.” I played the erke in Pablo’s folk music band, and play the erke part between the vocal parts on the track.

Think Spanish gospel.

Pablo Coplas

Aquí estoy porque he vendio

Porque he venido aquí estoy

Si no les gusta mi modo

Como he venido me voy

Una sola mujer tengo

Dos hijas quiero tener

Una pa de vez en cuando

Otra pa permanecer

Jujeño yo soy señores

Yo no niego a mi región

Jujeñito lengua dura

Canta cuando hay ocasión

Here I am because I have arrived

Because I have arrived I am here

If you don’t like my way

As I have arrived I’ll go

I have only woman

I want to have two girls

One for every now and then

The other for always

Gentlemen I am Jujeño

I do not forget (negate) my home

Young Jujeño of hard tongue

Sing when there is an occasion||

I then did a remix of Pablo’s track and added some drums, piano, bass, and chopped up his vocal sample. This remix was a fun way to collaborate with a kind of music that I had never heard before.

Coplas Remix

 

Reflection and Response

-P

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Feature: Diana Cervera

 The Collective really brought some solid Reflection and Response this week. We at the LIFESTYLE are proud as hell to present Diana Cervera, a woman who took the idea of a feature and turned it into a piece of art. Eclipsing the idea of multi-talented, Diana’s various skills in Sonic, Dramatic, Literary, and other mediums inform and reinforce each other to make each piece a comprehensive collaboration between different parts of the expressive self. Peep the interview for some key knowledge, check out the soulful strains of “TE BUSCO,” and read up on the powerful words of LATINA HEAT.

The Collective Speaks.

Leading off with some basics where are you from? And where are you at?

DC: I am from Rialto, CA where I currently reside but my roots lay in the lands of Yucatan, Mexico. I am currently looking for my footing for a truth I am at the shoreline where the waves crash staring at the sea…contemplating what it all means.

What does Reflection and Response mean to you?

DC: Reflection and Response is a way to Evoke and provoke. Its a means by which to question, critique, explain invent and reinvent. I think that it encompasses the art making process in itself and the constant search for ourselves. To truly reflect is to look within and understand whats there, where it comes from,why it is and our response is perhaps a way to try and understand that meaning that feeling. Its a spark, a chispa. I believe that we must constantly reflect but dont take the time to do so enough. I personally am looking within myself to try and really see whats inside whats there and what I can do with it.

How does “Latina Heat,” and “TE BUSCO,” fit in with that definition?

DC: The name of the first piece is “Latina Heat” a monologue I performed for a production I directed last year at UCSD entitled In Lak Ech, Tu Eres mi Otro yo (You are my other self). This show in itself encompases the idea of reflection in that we are in some way a reflection of one another if we could only look past our preconceptions and socialized forms of knowing ourselves in relation to others. In Lak Ech comes from the Mayan saying meaning you are my other self which was considered one of the deepest forms of respect in that each other we see ourselves.This piece was a “reflection” and “response” to the ways in which Latina women are portrayed in the media and therefore come to exist in the public imagination. This piece explores not only the concept of stereotype but also explores the idea of love and self love. Our love for ourselves is the most powerful understanding we can come to know and give to others. This piece aims to critique the hollywood stereotype of what  a Latina woman should be but it also is a very personal reflection of my dreams hopes and visions of love.

The other piece entitled TE BUSCO is a song I recently wrote and is a reflection of one of the most beautiful and trying emotions I have ever felt, Love. This is a raw take that took me a few nights to really get together but its from the deepest places in my heart. This song speaks of a search, it speaks of a moment so present yet so far, of a feeling so powerful that it can withstand anything. I think this song is a reflection of emotions ones heart can feel but may never be known, perhaps only the moon or the stars will be witness to these unspoken dreams. This piece speaks to the idea of a feeling or emotion that can perhaps only be sung in order to be understood or felt.

What else have you been working on recently? What are you looking to work on next?

DC: I am currently working on a short play which is an extended version of Latina heat. This play, like the monologue , will delve into various concepts such as the idea of love, sexuality, femininity and the search for the self. The play will have various characters and multiple realities, you gotta see the end result because it all makes sense in my head. Right now I think it sounds like a locura but thats when I know Ive got something. For now Im seeing fairy godmothers dancing Bomba and novellas coming to life…haha its gonna be wild but I promise its gonna be good. This will be my first time writing, directing and acting in an actual play so wish me luck!

Who or what inspires you?

DC: The coincidences of life inspire me the moments in which a person you never thought you would meet teaches you something so profound and beautiful about lifeand about yourself. These moments have proven to be the most inspiring moments in my life. With this is my families love which is unconditional and never ending its so beautiful to me. Love inspires me.

Is there anything else you would like the Collective to know?

DC: Always listen to your heart even when its wishes seem illogical or impossible. Siempre sabe el Corazon. Always believe in your own power you can really do anything you dream, nobody can tell you that its impossible.

Shout out to…?

DC: I would first like to make the biggest shoutout to my Mom and Dad Maria Casanova and Alfonso Cervera who have given me character virtue and most of all life. To my brother and sister Ponchi and Denise for always supporting me and loving me and the rest of the familia in the US and in Yucatan. I would like to give a super special shoutout to my friend and Mentor Jade Power Sotomayor who has taught me to believe in myself and always follow my heart. To never fear nor doubt my own strength  as a Mujer. To the one and only Leslie Quntanilla, Joanne Gomez, Qui Qui, Mars, Sarit, Moni and all my friends who have loved me through the many phases of my life and locuras. To the ART COLLECTIVE @ UCSD. The Bostick Family, your lovely thank you for all your blessings. Of course to the cuates in NY! Megan Branch and Mr. Vicken Donikian!!!! Your beautiful and your work inspires me to keep up the grind siempre! Last but most certainly not least, the most loving shoutout to the one who has my love, un beso siempre.

Con todo mi Corazon

Diana Cervera

TE BUSCO

LATINA HEAT

(Lights Dim..blue perhaps)

Deja que salua la luna….(song by pedro infante plays..)

Demetrio enters…

Mujer- Demetrio, llegaste!! (smiles.. holds his hands in hers)

Hombre- (hugs her tightly ) Como no, tenia que verte, antes de ..de que me vaya

Mujer- Quisiera que, que esta noche nunca se acabe’..…. Que pudiese estar contigo siempre que no tenia que decirte adiós. …..Llevame contigo, ay llevame contigo

Hombre- NO NO! eso no….la guerra no es para una mujer. No me perdonaría si te pasara algo….

Mujer- Pero tengo miedo, miedo que te olvides de mi que , que encuentres a otra que nunca regreses y yo me muera de la tristeza

Hombre- No NO…. eso nunca. Yo solo respiro por ti, (caresses her face)  mi corazón solo latte por ti….. mis ojos solo te ven a ti! YO solo soy para ti… (pulls her coser) ya sabes que TU eres la duen~a de mi corazón….

Mujer- Pero….siento que algo en mi se muere lentamente…mi espíritu no esta tranquilo cuando estoy lejos de ti…

Hombre- Mira, mirame a los ojos, (holds her face intently). Yo te amo…te amo…y aquí te dejo mi promesa. Te prometo mi amor.  Te prometo que regresare por ti..… (pause). Te puedo pedir algo??

Mujer- Claro

Hombre- Te pido..que me esperes que me esperes hasta que regrese por ti…te juro que eres el amor de mi vida la unica mujer que hace que mi corazón pare. que mi mundo se pare…siento algo aquí (ponits to his heart) que me dice que tu eres mi amor, la única que yo amare’ (places necklace in her hand)

Mujer- (pauses, thinks for a moment, in love. scared) Te amo…te amo,  tanto que me muero pensar que no te podre ver (comes closer) ni besar tus labios que tu estaras lejos, lejos de mi, mi amor….pero te esperare!! Te esperare hasta que regreses hasta que regreses por mi.

Hombre- (pulls her closer) Te amo. Te amo y vas a ver que pronto estoy de regreso y vamos a ser muy feliz, nada puede parar lo que siento por ti….

(both move in as if to kiss…)

Diana- Have you ever been lost in a dream, or an illusion. Have you ever been so enamored by something or the idea of something that you lose yourself in imagining, what it would be like….

(sings) DEJA QUE SALGA LA LUNA..…PA QUE EMPIEZE NUESTRO AMOOR. Love, la promesa de lo eterno the promise of the eternal, THAT which can conquer all ..you see I fell in love with with love , with the stories on the bronze screen as I watched novellas with my abuelita and my mom…. I would always pretend to be the characters. My favorite was always the protagonist the mujer who finds true love whose destino leads her to to fall into a love battle but whose passion in the end allows her to survive the war…”Estoy tan feliz madre de que mi vida es perfecta y que dios me ha mandado el amor de mi vida!!! hay Miguel Ramon me haces tan feliz..” I dreamed with her ….what would my love look like, how would he sweep me off my feet?? would he bring me serenata? roses!!!! Maybe both! I couldn’t wait to fall in love!!! She was always played by a beautiful mujer who was petite, dainty, and meek….

And then there was the villainous cousin corrupted by greed and jealousy …. she was usually played by a mujer who was also beautiful except she seduced men with her voluptuousness and her uncontrollable passion….

“Todo lo que amass será mío!! Maria Jose, todo! Miguel Ramon sera MIO!!! aver quien puede mas primata mosca muerta….…..!”

As I grew older this enamoramiento, this love turned into a dream that I would be a STAR!!! LA PROTAGONISTA ESTELLAR!! Except instead of novellas I would go straight HOLLYWOOD. I spent hours online looking up auditions or trying to figure out the way it works how I could  get in. I was convinced I needed an agent that it was only a matter of time before Id be found! Discovered…. But sometimes I felt that this dream was inalcanzable almost unreachable… calls for hispanic actors would catch my eye…but the only women I saw making it in hollywood that were Latina were Penolope and Salma. As I followed my destino I soon realized that I didn’t exactly look like the women on the screens that I adored Im not skinny and I didn’t really have nice clothes from expensive stores and so I thought I could never be beautiful or sexy.  In middle school I wouldn’t eat because I wanted to make moves towards my dream I remember crying and thinking that I wouldn’t make it that there were no women like me in hollywood that no one would ever notice me. I don’t have an accent. Im not what their looking for……

You see dreamed that I would light up the screen!!! That hollywood wouldn’t know what hit them!! Id have my own show you see and it would be different from anything else because my show would  be about people like me it would represent my gente tell their stories show what their life was like (lights change dim) “12 woman have been found dead in the desert of Juarez there are no leads the police are afraid to dig too deep… OR is that they themselves are a part of the whole murderous plot!”

Director- CUT!!!! (from offstage in sound booth) Diana I don’t know how to tell you this but the ratings are down you see at the end of the day this is … well American Television and the people they see you and well… they want something more spicy something more Latin….these ratings gotta go up…were selling an image and if people don’t buy it then were gonna have to cancel the show….

(moment)

Diana- Alright lets take it from the top…… (dim to black) I think we can put something together

Director- alright lets take it from the top…your on in 3,2

Diana- (in the dark) Ladies in gentleman….your watching …LATINA..HEAT…

LIGHTS! MUSIC! (LA COMAY by Sonorra Carruseles PLAYS)

(enter 2 dancers 3 woman dance)

(music cuts!)

Diana- Latina HEAT!!! Donde aqui traemoooo puro (all) FUEGOOOO!

(lights change)

(beat)

But I guess hollywood doesn’t care about las Mujeres de Juarez or a woman that can speak her mind. It’s only interested in consumption of the Latina body, my body the way it can sell what it can do for men in american households but the truth is the reality is I’ll never be Latina enough! never be sexy enough for you…and the moment I become too Latina you boot me off every channel! see you cant have too many people like me in hollywood because hollywood is what tells the rest of the world what this place looks like and I’m from California and all but I’m not exactly the California girl the rest of the world imagines even tho California’s demographic population is almost 50% Latino or Hispanic

Ratings wont go up if I’m not sexy enough if I’m not spicy enough if my body cant be packaged and sold in sealed with a stamp that reads AUTHENTIC LATINA. JLO adorns the cover of people magazine with a headline reading most beautiful woman in the world but she’s not on that cover because she looks like Selena and besides the allure of her nalgas and her now blonde hair I question what classifies as beautiful in hollywood…This predicament of being caught between virgen and puta, Latina or white, Mexican or American taught me to hate myself…taught me to think that I could never be beautiful to anyone…that the curves I had could not be desired I started to believe that my dream could not come true because no matter how great of an actress I was no mater how much talent I had I could never be what they wanted.

These feelings changed when I started to create my own art and carve out my own spaces for teatro and musica and dance. When I met mujeres who empowered me with their words because they danced on the hyphens and could not be labeled their art was chicano the best of both worlds.I became strong in my identity proud to not fit in, happily resisting the heat of the melting pot. But the feelings of not feeling beautiful never went away……

Our hombres have also been taught to seek beauty only in the slenderness of a woman’s curves they are taught to see through the lens of a hollywood camera rather than with their own eyes, with their own alma and sometimes they cannot see fire within our hearts, the passion with which we move throughout the world.

I want to reclaim these hips these curves not as symbols to be exotified or our ticket in but as markers of our strength pride in how we stand and the dignity our history carries even if we cant roll our r’s our shake our hips. To believe that we are beautiful just as we are….even when we are taught that our fuego within is too much to handle….

(looks at necklace…)

The truth is hombre Im scared to love you. Im scared that you don’t exist… Im scared to believe in your words Im scared to let you look into my eyes and see my fear of believing in your promises because I thought love….love is supposed to be…like in the novellas. That you could truly only see me that my words could soothe your soul no matter where you are….that my love is enough to be your In’lak’ech, tu media naranja. Because the way I love is like the ocean. Fuerte y appasionando. Constant and flowing like the tide crashing along the shore of an untouched beach in the dream lands of Yucatan…….

I wish that you could love me…love me for me….love me for me….just the way I am….

(Deja que salga la luna begins)

END

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I am currently looking for my footing for a truth I am at the shoreline where the waves crash staring at the sea…contemplating what it all means.

Reflection and Response.

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Argentina Thursdays: Feeling!!!

I’ve Got A Feeling off the Beatles’ Let It Be in one of the dopest songs ever. The groove that makes up it’s verse just oozes cool. Cue Buenos Aires early 2010 and some inspiration and you get the ingredients that make up “Feeling!!!” I sped up that verse, added some original drums, and chopped it up even more in the middle part. There’s also some subtle original guitar work at the end of the track. There’s another classic rock sample right around 1:25. Free exclusive a capella of an upcoming unreleased track for whoever tweets the LIFESTYLE the answer.

Feeling!!!!

Always Reflection and Response

-P

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Tuition Well Spent: A Progression

(Visuals by Vicken Donikian. Audio by Peter Muller and friends)

Ideas progress.

I wrote The Rain in 2007 in Seattle during a bout of particularly bad weather. A few days later my bandmate from Tuition Well Spent, Mike, wrote the lyrics for the tune which would become “The Love.”

The Rain

The Love

We then performed the song live at the Ethnic Cultural Theatre at UW in 2007 and had our friend Ben do some drumming and Whitney Killian added some harmonies.

The Love (Live)

I then asked V do to some art for the Myspace page and I sent him some pics and he sent back the two visuals that accompany this post.

Progression on a multi-medium level.

Reflection and Response

-P and V

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Argentina Thursdays: Love You/ Tears!!

Buenos Aires, Las Cañitas/Belgrano district, 16th floor circa 2009. One of my first projects in Argentina was a remix of the legendary Ray Charles’ Drown In My Own Tears. Chopped it up, threw some of that Logic synth on there. Pain is universal.

Tears!!!!!

Same location 2010. Whitney Houston’s I Will Always Love You is stuck in my head.  Took the line right before she starts singing the verse and did some things. The flute you hear at the end is the homie Jaime, who plays flute and charango in a folk music band in the city.

Always Love You

Reflection and Response

-P

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Two Cities

Interpretations differ.

I wrote a song called “The City,” sometime in 2007. I then recorded it with my band at the time, Tuition Well Spent (see below for more info). I rerecorded a version in 2009 with my duo in Argentina, Harold and the Gauchos.

Even though the instrumentation is almost identical on each track, the two versions have different vocalists and display different takes on the song. I think it’s dope to see how each version contrasts.

The Tuition version is more polished. Recorded over two days using Pro Tools in the Digital Audio Workstation at Odegaard Library at the University of Washington, Mike and I took our time with takes and mixing.

The Harold version was done on the fly. Only having practiced the song a few times before pressing record, Claudia and I hadn’t necessarily perfected our arrangement. The “dale,” that I blurt out at the start of the track lends itself to the jam session vibe. However the looser more improvised feel lends itself to a different understanding of the song.

Does anyone else have experience with how changing one part of a piece can lead to new feeling, new reflection?

The City: Tuition Well Spent

The City: Harold and the Gauchos

The City

I was swimming in the River when the river but the river said he don’t mind

Said go on now got my own place to find

So I went on down to the shining deep blue sea

But none of them fishes want to swim with me

And I feel lonely, I feel blue

Get up slowly I got nothin much to do

Ladies ain’t never had too much luck with them

I see an opportunity and all they see is a friend

And 18 odd years that’s how it’s been

I finally met Shirly but shea’s already with Ken

And I feel lonely, I feel blue

Get up slowly I got nothing left to do

Bored in the city in the city it looks so drab

Wanna find a way to get away this strange land

It seems like the sky scrapers they all laugh

In a one man room playing the blues getting pennies in a straw hat

Oh I feel lonely, I feel blue

Get up slowly I got nothing left to do

Bored in the city in the city it looks so drab

Wanna find a way to get away this strange land

It seems like the sky scrapers they all laugh

In a one man room playing the blues getting pennies in a straw hat||

Reflection and Response. In whatever City.

-P

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Argentina Thursdays: What She’ll Miss

I used to be in a band during my first few years of college called Tuition Well Spent. Before I left to Argentina I recorded a melody I had written with Mike, the vocalist from Tuition. When I was in Argentina and learning how to use Logic Express 8 I found the vocal parts and decided to see what I could do with them. I can be heard using drum sticks to tap a rhythm out in the background during the vocal track. I also let Mike know that I felt the take by the grunts at the end.

Full Track

Vocal Track


So she doesn’t want to see me I can tell

Why she takes me so high that I fell

Maybe I over-think it all but I’m not sure

I got these blues baby I need a cure

So she doesn’t want to see me I can tell

Why she takes me so high that I fell

Maybe I over-think it all but I’m not sure

I got these blues baby I need a cure

Such a princess perfect every way

Find myself losing yet still I chase

One day she’ll know what she missed

Until then I swallow this bitterness

Reflection and Response

-P

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This Job

Who’s worked in a restaurant before? Quick cash but a pretty fucked up working environment. This Job is loosely based on experiences working at a certain seafood joint in Seattle during the summer of 2011. I was thankful for the work, but I couldn’t help but write down what it was like to work there.

Full Track

Acapella

Job this job this job it robs us/ Go all damn day for 40 in the pocket/ Hours wasted feel played like basketball/ Lame like a masseuse who lost the touch we gracefully fall/ Late for it all this life it drives past us/ Fight to drive faster this check’s a knife through our life it slashes/ As time flashes past/ 10 years later the past is ashes cuz so fast it happens

This mall this mall maybe she’ll be mine if I buy it all/ Flat we fall/ God damn it I crawl/ Back into this Cave like Mumford and Sons/ And hungry back to work to earn enough we’redrunk on the funds/ Hungover as bums’ peddling change has never been fun/ I peddle my way through these tables I’m done/ But these tips come now this wallets expanding/ And the mind’s eyes can only see as far as I’m standing

This job is wild please take it back from me/ I break my back this actually can’t be happening/ What happened to these dreams and this college degree?/ No wonder these alcoholics staff the industry

Night this night this night this night it wears on/ Know I should sleep but the time to care is gone/ Just pound that redbull find stamina in caffine/ And we hit the damn wall tomorrow right around 3/ And these feet feel wasted withering away/ Use the same shows I graduated in 8th grade/ They pinch toes together haven’t played a show in forever/ But we stand strong to the storm, brave the weather

Take so much shit out humility snaps/ Here mind its blank and creativity sapped/ Stuck in the trap, used to write everyday raps/ Now it’s occasion andI’m fading into the trap/ So break away move back home that’s an option/ That became a choice cuz this place is haunted/ By  quarter life crisis career problems/ Let’s follow that voice that tells us we don’t need this stop it

This job is wild take it back from me/ I break my back this actually can’t be happening/ What happened to these dreams and this college degree/ No wonder these alcoholics staff the industry

Reflection and Response

-P

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Argentina Thursdays: Two Soundtracks

Writing music for imaginary films has always been super fun. I’m constantly inspired by artists and composers such as AR Rahman who do so much with music to accompany film. In Argentina I recorded a few instrumental tracks with the idea that they would stay instrumental. Peep!

Soundtrack I

Soundtrack II

Here I add a little Argentine flavor with a sample of Pablo Martinez’s voice saying “Aqui Estoy.”

Reflection and Response

-P

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Lonesome Road Goodnight

I started this track in Argentina. A choir at the school I was studying abroad at sang this haunting tune about a lonesome road and I immediately thought it needed to be sampled. I found the original James Taylor version. Then I forgot about the idea for two years. Last week here in Madrid I found the half finished beat and remembered how fun it was to make. I feel like the song is about redemption and has a sense of teaching, so I wrote lyrics based on those ideas.

Full Track

Instrumental

Acapella

Lonesome Road Goodnight.

Please jettison stress/ this is what is waiting up ahead/ And just reflect / And work even harder on success/The fuck I used to give I now use to live/ Walking that lonesome road  a little kid hope andsin / stoked on the stoogie that we smoked   with a fifth in that glass bottle outside the doors we slipped/ Andthese roll models dip and throw strikes/  Before those open mics/ way before we know whats tight/ The brain evolves slowly right/

Yea fuck it/ You know what you need to do/ I believe in me so you should believe in you/ Believe in peace/ please believe that it’s true/ And stay in your feet and never use those knees to stoop/ Take that grease from your grandparents stereotyped/ He’s Italian which means their not marrying right/ Mediterranean not enough white but they prefer a lovely life/ Say goodbye to the lonesome road with a daily kiss goodnight/

Reflection and Response

-P

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