Tag Archives: Reflection and Response

Artist Feature: Liam McClair

Liam McClair is a singer-songwriter out of Wilmslow, Cheshire, England that we met through our homie Sobi Thurairatnam. For Liam, Reflection is about unbiased retrospection and balanced analysis of the past. His music provides a medium for reflection on lived experience. Liam discusses this process through a showcase of songs from his first EP, How. We’re excited to say that he’s soon to drop his second EP HONEY through HourGlass Productions, and he’s also looking to perform with a full band after its release. Check out the interview below, stay tuned for tour dates, and make sure to check out the new EP soon!

Liam McClair

Reflection to me is considering the positives and negatives in a previous situation, but trying to be as objective as you can to ensure that you are seeing the outcomes and effects as they are and not from a biased position.

– Liam McClair

Leading off with some basics, where are you from? And where are you at?

LM: I am from Wilmslow, Cheshire in the UK. I have been performing as a solo singer-songwriter for nearly a year. The highlights have been having my track played at Old Trafford twice, playing at Liverpool’s Sound City, being featured and interviewed on BBC Introducing Merseyside, and the continued support online from radio stations, fans and blogs.

What does Reflection and Response mean to you?

LM: Reflection to me is considering the positives and negatives in a previous situation, but trying to be as objective as you can to ensure that you are seeing the outcomes and effects as they are and not from a biased position. I reflect often with my music as my writing process is quite organic so upon reflection I can understand the theme of the song and subsequently direct the song towards that theme. Response is a person’s reaction to a stimulus, whether that be sensory or physical.

How does your work fit in with that definition?

LM: My song writing is predominately based on reflections. Most of the songs I have written have been based on personal experiences and personal emotions. Within my Debut EP, How, all of the songs are based on reflecting on a time and they are responses to things I have seen or experienced. The first track Roam The Globe acts as my travel journal from times I have spent abroad:

Rough Waters is a description of ending a relationship and the difficulties involved and experienced:

Somewhere Before is the story of a couple with dementia which I responded to initially, however I didn’t realise that was the topic of the song until I reflected on it:

How is a song I wrote about the feeling of pure desire you have when first encountering someone you really admire:

What else have you been working on recently? What are you looking to work on next?

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Artist Feature: Max Nelson

Max Nelson is a Bay Area based web designer and visual artist. He has worked with various aspects of design including illustration, logos, and image layout. Max discusses the interconnected nature of Reflection and Response as the feedback loop between the brain and the images we encounter. He discusses the role of Reflection and Response in his piece Talking Type, and showcases a handful of other works from his archives.

Max Nelson

Leading off with some basics, where are you from? And where are you at?

MN: Berkeley, CA is where I was born and raised. Still basically just crushing it in the city of B-town…I need to GTF outta here.

Max Nelson - "Watercolor Fingertips"

Max Nelson – “Watercolor Fingertips”

Max Nelson - "Turquoise Gemstone"

Max Nelson – “Turquoise Gemstone”

 

What does Reflection and Response mean to you?

MN: Well a reflection is an aspect or image of a thing, cast onto another thing. A response is essentially a directed reaction. The two combined remind me of  like, a brain with an image projected onto it from like, a projector. The image is like a volcano or something.

Max Nelson - "Swept" (Click the image to check out the piece in full)

Max Nelson – “Swept” (Click the image to check out the piece in full)

How does your piece “Talking Type” fit in with that definition?

MN: I’ll choose the typographic guide ‘Talking Type’ – I did the marker version one night in college. It was probably about 3am, I’d been studying a shitload of typography, and with all that in my system (reflection), I busted that out in sharpie in like 15 min. (response). Years later I found the pages and liked them and decided to type them out in Photoshop.

Max Nelson - "Talking Type" (Click the image to check out the piece in full)

Max Nelson – “Talking Type” (Click the image to check out the typographic guide in full)

What else have you been working on recently? What are you looking to work on next?

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Artist Feature: Zachary Baron

Our fam Zachary Baron is a pianist and accordion player straight out of Hyde Park, New York. Growing up around classic American showtunes and Broadway numbers, Zach continues to celebrate and play these tunes today with unique arrangements. He highlights the benefit and value of honest, unconscious response and warns against forced interference of the creative voice. He’s been working on original tunes and ill boogie-woogie piano stylings. Eclectic inspirations are a central part of Zach’s dialogue and he also reiterates the often-overlooked importance of simplicity. We’re grateful to break bread with a dedicated and informed creator. Peep the words and pics below!

Zach Baron

There is depth in simple things. It takes time and you have to dig in…

– Zach Baron

Leading off with some basics, where are you from? And where are you at?

ZB: I grew up in Upstate New York in the Hudson River Valley in the town of Hyde Park. The Hudson River is one of the most beautiful rivers I have ever seen and I miss it all the time. Now I live in the San Francisco Bay Area–East Bay where all the good stuff happens.

Musically I grew up on classic American Broadway showtunes. Rogers and Hammerstein, Lerner and Loewe etc. Since so many of those tunes became Big Band and jazz standards it was easy to follow them into those areas. I’m kind of an all-American sentimental, schmaltzy guy and I like all-American sentimental, schmaltzy music. I’ve never gotten too far away from that.

What does Reflection and Response mean to you?

ZB: I’m going to leave out ‘Response’ and just deal with ‘Reflection’. I think of reflection, from a creative standpoint, like the reflection of a mirror. A song, a painting, a performance is a reflection of the artist’s experience of the world. The hard part is to be an honest, spontaneous mirror–to get out of the way and not try to consciously influence the process. Keith Jarrett said, “Sometimes I play things I never heard before.” That’s the great place to be–creating in the moment and surprised at what’s coming out of you.

How does your work fit in with that definition?

ZB: I play a lot of old songs. I play a lot of music that I played when I was a kid. It doesn’t matter how many times I’ve played it, it matters how I play it right now. Your mirror doesn’t say, “You again? We’ve done that already!” It just reflects, faithfully, instantly and with no extras. I’m not saying I’m alway there in that space or that there aren’t technical aspects, but the thing that takes a performance to the next level, whether it’s for myself or a crowd of people, is that honesty and purity.

What else have you been working on recently? What are you looking to work on next?

ZB: I have slowly but surely been working on my boogie-woogie piano–it’s way harder than it sounds. I would like to find the time and the nerve to sing some of my own songs at an open mic somewhere.

Who or what inspires you?

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Artist Feature: Ricky Gutierrez

Ricky Gutierrez is the first tattoo artist to hold it down for the LIFESTYLE! Representing Atwater, California, Ricky practices his craft at Restless Valley Ink in nearby Merced. He discusses his goals of positively impacting others who are making their way through life amidst questions pertaining to career and livelihood. A pivotal day when Ricky initially brought some of his work to a tattoo artist he admired changed his life and he has been dedicated to the craft ever since. Living a balanced life, Ricky discusses the inspiration that come from his wife and daughter and his dedication to making a name for himself in the field. Check out Ricky’s words and some dope original work below!

Ricky Gutierrez

Chase your passion relentlessly and live through your craft.

– Ricky Gutierrez

Leading off with some basics, where are you from? And where are you at?

RG: What’s up LIFESTYLE!? I’m Ricky G. representing Atwater, Ca. I’m currently tattooing at Restless Valley Ink in Merced, CA.

Ricky Gutierrez

What does Reflection and Response mean to you?

RG: Reflection is the story your work tells for you. One day, I’m hoping that my work will touch the lives of individuals that don’t think they can make it or feel like they can’t catch a break. I was once in their shoes, bouncing from job to job, trying to find myself and choose a career to earn a decent living. I never thought my artwork was good enough to showcase, let alone be my career. The day I took my work to a local tattoo artist, whose work I deeply admired, was the day my life changed in one of the best ways possible. Through this journey, I’m still searching for a response and my expectations for my artistic career.

Ricky Gutierrez

How does your work fit in with that definition?

RG: Every day I strive to do my best and inspire others along the way. I believe it’s important to chase your passion relentlessly and live through your craft.

Ricky Gutierrez

What else have you been working on recently? What are you looking to work on next?

RG: Lately, I’ve been working on tattooing. I’m trying to make a respectable name for myself in the industry and build my reputation. I plan on expanding my artistic abilities by exploring different mediums and continuing my education and earning a degree in art.

Ricky Gutierrez

Who or what inspires you?

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Artist Feature: Mike Gervais

Mike Gervais is a guitarist, singer, and songwriter, and  lifelong resident of Seattle, Washington. As he witnesses a changing city climate, Mike writes image-based music that inspires feelings in the mind of the listener, preferring to position his creative output within the physical dimension of response. In the interview below, Mike describes the natural imagery behind one of his songs Aurora Borealis and some of his inspirations such as impressionism and Chuck Close. Working extensively with his brother Matt as “Mikey and Matty,” the two have begun a busy 2014 playing dozens of shows and writing new songs they look to record over the next few months.

Mike and Matt Gervais

I don’t want to change or rearrange anything. If I could be successful at songwriting at all, I’d hope that what I came up with put a picture in the listener’s mind. I’d prefer to be an impressionist or even a Chuck Close to being a Jackson Pollack. Even though I envy that type of work.

– Mike Gervais

Leading off with some basics, where are you from? And where are you at?

MG: I realized recently that I’ve experienced 21% of the entire history of Seattle as a life-long resident. Imagine the time elapsed since the Denny party first settled here- 163 years, as the price of your dinner date… My age is the tip. I suppose that I should consider this when lamenting the construction projects that seem to be replacing all of the old brick and 70’s architecture with steamy hot-yoga windows under impossibly expensive “mixed-income” apartments. I walk around mostly humming tunes and looking for plants coming up through the cement. Even though we’re so close to the mountains, it seems like it’s getting harder to feel that they’re so close. I think we could all use a good long walk up there.  

What does Reflection and Response mean to you?

MG: I think a reflection is a response. I’m mostly about the tangible, equal-opposite reaction type of response. If light waves are bouncing on a puddle in the road, I want my music to be that reflection. I’m only looking for images that convey feelings. I don’t consider myself worthy of interpreting and translating events and relationships- I don’t want to change or rearrange anything. If I could be successful at songwriting at all, I’d hope that what I came up with put a picture in the listener’s mind. I’d prefer to be an impressionist or even a Chuck Close to being a Jackson Pollack. Even though I envy that type of work.

How does your song Aurora Borealis fit in with that definition?

MG: I work exclusively with my brother, Matt Gervais. Most of our work fits somewhere into the imagery=feeling spectrum. This is the first time I’ve had an interview without him, so I chose to highlight a song I can speak to more personally, Aurora Borealis. I tried to tell this story exclusively through pictures, and I normally look to nature for the best ones. The tide goes out twice a day and these squishy, delicate animals are exposed to the seagulls and the sunshine. You could write a thousand songs about that. Or the chaos of Saturn missiles going off on a dock at dusk in summer. I love the grandiose and the hopeless.

What else have you been working on recently? What are you looking to work on next?

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Artist Feature: Wax Roof

We met music producer Wax Roof through our homie and fellow LIFESTYLE collective member Mike Summer. Originally from Santa Cruz and now living in Oakland, Wax Roof discusses the importance of personal experience when listening to music and the unique connections each of us have with different sonic textures. He stays busy putting out solo instrumental records while also working on upcoming collaborative projects with vocalist Genoa Brown and MC Marc Stretch. Peep his words below and check out some tunes from an ill Bay Area beatsmith!

Wax Roof

Your taste and receptiveness to certain sonic textures are the product of a lifetime of experiences, musical and non-musical. No one can take that from you.

– Wax Roof

Leading off with some basics, where are you from? And where are you at?

WR: I am originally from Santa Cruz, and now live in Oakland. I grew up in the Santa Cruz Mountains before going to high school and college in Santa Cruz and finally working and living in the Bay Area. So the migration has gone woods, to the beach, to the town.

What does Reflection and Response mean to you?

WR: Well that’s a really hard question, isn’t it? I mean those are two aspects of existence that are so vast and personal I am not really doing them any justice trying to define them in a cute one liner. I think they mean more than I can ever fully understand, but put simply to reflect is to try to find meaning, and to respond is to try to do something meaningful.

Wax Roof

How does Wax Roof fit in with that definition?

WR: Wax Roof is the ever evolving sum of my journey through the cycle of reflecting and responding to life and the music I witness within it.

Your taste and receptiveness to certain sonic textures are the product of a lifetime of experiences, musical and non-musical. No one can take that from you. It is very unique and in the same way that you search for identity and a sense of happiness [it] is sought through REFLECTION and RESPONSE, so goes your pursuit of music that moves you. Everyone should take pride in their musical taste, whatever it may be, because it is something YOU have created. Wax Roof is the by-product of my taste as a fan for music, who also has the means to create their own.

We are never passively observing culture, we are always creating culture simply by internalizing that which we witness.

What else have you been working on recently? What are you looking to work on next?

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Artist Feature: Bosa

I first met the dude Bosa in Madrid, Spain when I was looking for someone to pick up my MIDI keyboard and PA speakers before I moved back to the US. Upon meeting him, it was dope to know that this equipment would be going to someone active and dedicated to his craft. Bosa is a composer, videographer, and rapper from New Jersey that is currently based in Madrid. Already having put out numerous records, his upcoming debut album Futures We Remember is currently in production with a release date at the end of the summer. Bosa starts off his interview with a LIFESTYLE feature first!! He breaks the ice with an original video featuring a verse on Reflection and Response along with further ideas stemming from the interview questions and shout outs to the many people he is working with in Spain. In the accompanying written piece, Bosa discusses his new record as an example of musical Response and also lets us know that it’s important to live the arts we practice, not just use them in our daily lives. Bosa is quickly becoming a fixture in the musically active landscape of Madrid and we look forward to witnessing his future work. Peep the dialogue below and be sure to check out the pics and clips Bosa has provided along with his groundbreaking intro video!

Bosa | Photo by Khaelin Damm

Bosa | Photo by Khaelin Damm

My first album, “Futures We Remember”, is a musical response to the reflection I hope to see of myself when I look in the mirror. The meaning of that is up for interpretation. For me it refers to all the dreams I have about music and the life that accompanies it.

– Bosa

Leading off with some basics, where are you from? And where are you at?

B: I was born and raised in Lumberton, New Jersey. It’s your everyday suburban town, not far from Philadelphia. I also spent four wild years at Syracuse University “studying” broadcast journalism.

Since I finished school a few years back I’ve been living in Madrid, Spain. It’s my little heaven on Earth and I can’t imagine leaving anytime soon. It’s a city full of life, culture, and groovy people. Also an absurd amount of jamón.

What does Reflection and Response mean to you?

B: At this point in my life “Reflection and Response” means finally taking a complete leap of faith as an artist. A good friend of mine told me one simple thing that has always stuck with me.

“My brotha, you can’t make music or do art you have to live it” – The Other

It’s not a crazy concept to understand but it’s one hell of a task to actually do. Music is everything for me. I think about it the same way one would crush on the cute girl in grade school. I daydream about concerts and making the perfect song a thousand times a day.

Reflecting on this I know I’d never forgive myself for not asking out music before the big dance. So my response is to do everything in my power to get her to notice me.  

Bosa | Photo by LABL FOTO

Bosa | Photo by LABL FOTO

How does your work fit in with that definition?

B: My first album, “Futures We Remember”, is a musical response to the reflection I hope to see of myself when I look in the mirror. The meaning of that is up for interpretation. For me it refers to all the dreams I have about music and the life that accompanies it. My friends always tell me I have a hyper-active imagination. For better or worse I always try to conjure up ways to turn my ridiculous ideas into reality.

What else have you been working on recently? What are you looking to work on next?

B: Outside of the album I’ve been secretly working on dance moves (the same way Zoolander worked on Magnum) and a big release party at the end of the summer. Madrid is one of the funkiest cities I’ve ever been to and it has revived my obsession with disco and Motown culture. If you invite me to your party expect Earth, Wind, & Fire and a Soul Train line to take over your dance floor rather quickly.

The Groovestep era is here Generation-Y. Prepare yourselves.

Who or what inspires you?

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Artist Feature: Armando Pérez

Armando Pérez is a focused and prolific musician, composer, and producer originally from Chicago, and currently based back in his hometown after stints in San Francisco and Los Angeles. Over the years, Armando has been an important, contributing figure in various musical scenes, with projects ranging from composing/recording under the name The Single Helix, hosting DJ sets and other concerts, playing with Latin fusion group Jugo de Mango and Afro-beat/cumbia ensemble ¡ESSO!and spinning house and global soul music. In his interview, Armando comments on Reflection and Response through the intriguing nature of his surroundings and the process of absorbing its various scenes. He also discusses his efforts to stay continually busy to help fuel positive production and creativity. The future is naturally bright and full for Armando with records coming out for his various projects along with multiple upcoming performances, so we were lucky enough to catch up with him for the feature below!

Armando Pérez

It’s pretty cathartic to read your own unfiltered thoughts. It helps put life into perspective.

– Armando Pérez

Leading off with some basics, where are you from? And where are you at?

AP: I was born and currently reside in Chicago, IL. I am working and living in the Hermosa neighborhood, writing and recording new music under the alias The Single Helix, as well as hosting monthly DJ and live music nights around the city. I’m blessed to have the outlets I do; performing with Latin fusion band Jugo de Mango, performing Afro-funk and cumbia with ¡ESSO!, and DJing global soul and house music. I do music full time: licensing beats, engineering live shows, guesting with musician friends and recording various artists. Having lived in Los Angeles and San Francisco, I decided Chicago had the best scene for my creative aspirations. Home is where the heart is, so here I am.

What does Reflection and Response mean to you?

AP: For me, it means I discover who I am and what I stand for: I witness, I absorb, I process, I respond. There are so many variables in where we are and what we see and feel. Strong moments make me reflect on what it means to be true to myself. It leads me to my voice.

How does your work fit in with that definition?

AP: I am surrounded by city life. I see people, friends and family coming and going, searching, dealing with their social and professional triumphs and problems. It all affects me. My entire creative life has been a documentarian response to all these experiences. I keep journals. I read them back and find idea nuggets to make new music. I’m literally talking myself into it. It’s pretty cathartic to read your own unfiltered thoughts. It helps put life into perspective. Beyond those lyrical ideas and notes, melodies sometimes come to me out of nowhere, sometimes in my sleep! I’ll have to wake up, get my guitar, figure out the melody or chord structure and record it on my phone. When I sit down to write, it comes out more controlled. Once my vocal melody is solid, I can fit it to lyrical ideas phonetically. It is all reflection of what I’m feeling.

Armando Pérez

What have you been working on recently? What are you looking to work on next? 

AP: I am really excited about releasing a special song I co-wrote and recorded with the talented rhumba flamenca, Vivian Garcia. We are now finishing the video for our single, “Loc@s.”

I’m also wrapping up a personal album of sexy songs entitled “Pillowtalk”  featuring prodigious opera singer Erica Rose Sauder. It will be released under the SonicOctopus/Dilligaf label at the end of April.

In May I’ll be completing an album with West Coast producer extraordinare Izznyce. We are working as a breakbeat collaborative called Oso Gigante, repping San Francisco and Chicago. We will be releasing our first record “Rarities Vol.1” and be back in the studio with emcee Planet Asia in early May.

Beyond that, I have DJ remixes in the works for the dance floor and a live ¡Esso! record and tour planned for this summer. Did I mention the new Jugo de Mango record coming out this Spring?

What inspires you?

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Artist Feature: Timo Vollbrecht

Composer and improvising jazz musician Timo Vollbrecht lives and works out of New York City and Berlin — collaborating with various musicians along with leading and performing with his own group. He discusses Reflection and Response as a multi-faceted concept, and highlights the subtle difference between creatively responding to specific experiences and responding to a collection of indistinguishable stimuli. Timo’s music represents the moment-based nature of improvisation as well as the decidedly trained character of composition. Check the dialogue and showcase of his work below!

Timo Vollbrecht

Some of my compositions are a direct response to an experience…Most of the time, however, my music responds to a conglomerate of different things that are often hard to distinguish. The beauty about improvised music is that you can respond to the very moment. This is what makes it so special – for musicians as well as for the audience.

– Timo Vollbrecht

Leading off with some basics, where are you from? And where are you at?

TV: I was born in Stadthagen, a small town in Northern Germany. After living in Wyoming, Berlin, and Barcelona, I moved to New York in 2010. I am an improvising and composing artist, who plays saxophone and reeds. I live and workin between New York and Berlin, am involved in several projects and lead my own group.

What does Reflection and Response mean to you?

TV: Reflection can unveil your source of inspiration as an artist. If you take your time to reflect on your experiences in life, on your encounters with other people, their cultures, their points of view, your thoughts and especially your emotions and sensations, you have SO much to tell. The most important thing is to keep an open mind in life. Then, responding to your experiences in your art will happen naturally. If you are true to yourself, you will develop your own taste and thus, make your original musical decisions.

How does your work fit in with that definition?

TV: Some of my compositions are a direct response to an experience. An example is “Tale of Jordan”, which came into being during a Middle Eastern tour with my band. Among other places, we also played in Amman, Jordan, and took a bath in the Dead Sea. In Ramallah, during our concert on a roof top, the Muezzin next door started to chant and we spontaneously integrated his chanting into our free improvisation. “Tale of Jordan” reflects on these unforgettable moments. Most of the time, however, my music responds to a conglomerate of different things that are often hard to distinguish. The beauty about improvised music is that you can respond to the very moment. This is what makes it so special – for musicians as well as for the audience.

What else have you been working on recently? What are you looking to work on next?

TV: I have been composing music for my next album, which I will record in June, before taking off to an artist residence in Italy with my partner-in-crime, guitarist Keisuke Matsuno, where we will be working on a duo-program. Besides that, I am getting ready for a month-long European tour, which will start on April 3rd in Osterode, Germany, which happens to be my grandparents’ hometown.

Who or what inspires you?

 

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Artist Feature: Zach Mack

Zach Mack is a renaissance man from the Bay Area who currently lives in Oakland. Recently deciding to plunge full-time in pursuit of his goals in radio and media, Zach has been producing news stories for various local public radio stations, hosting/creating two standout original weekly podcasts — Dino Pants Radio and The Four Man Rotation — and performing with an improv troupe at the Magic Jester Theater. Throughout our dialogue, Zach drops gems of knowledge accrued through working hard to forward his creative medium. Zach is making moves out here in multiple realms of craft surrounding his interest in radio, and it’s dope that he took a moment to lend his voice to the Collective!

Dino Pants Radio - Zach & Josh

Sometimes its important to just STOP… clear your head, assess your feelings and then act accordingly. Trust your gut but don’t be afraid to seek out advice from people wiser than yourself.

– Zach Mack

Leading off with some basics, where are you from? And where are you at?

ZM: Born and raised in the Bay Area. A California kid to the core, currently living in Oakland. Its a great city that apparently draws a lot of comparisons to Brooklyn. Would love to live in real Brooklyn at some point though.

What does Reflection and Response mean to you?

ZM: Sometimes its important to just stop… clear your head, assess your feelings and then act accordingly. Trust your gut but don’t be afraid to seek out advice from people wiser than yourself. Last year I made the decision to quit my job to pursue this radio-media thing full time. Its been scary, fun, soul crushing, and inspiring all in one; ultimately I know it was the right decision. That response came after much reflection.

I’m still figuring out what works for me but trying to avoid those safe decisions that you know are comfortable in the moment but that you’ll regret in the long term because they don’t challenge or forward you. I recently received some great creative advice; simply put “Always be making.”

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PODCAST: Hella Oaklandish Scamming Grandmas (February 22, 2014)

“Our friend Mr. Todd stops by to showcase his new radio piece Hella Oaklandish and talk about everything from scamming grandmas to bad business proposals.”


What else have you been working on recently? What are you looking to work on next?

ZM: Right now I’m immersing myself into the world of radio by helping produce news stories for a couple public radio stations. While journalism is pretty new to me I realize it’s a necessary skill for making good radio, even when it’s not totally news based. Alongside that, I am hosting and creating two weekly podcasts. Dino Pants Radio, a fun show with music and banter, as well as a newly formed sports show for the everyday person titled The Four Man Rotation.

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PODCAST: The NFL and the N-word (March 19, 2014)

“The NFL looks to ban the N* word. Is this move progressive or misguided?”


Also, I recently began performing in an improv troupe through Magic Jester Theatre in Oakland. What started as a way to sharpen my wit for radio has turned into a full fledged interest. I find improv to be one of the most life applicable activities I’ve ever taken part in.

Who or what inspires you?

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