Tag Archives: Madrid

Shake This Maze: The A Capella Tapes

For the upcoming release of the Second Edition of Shake This Maze I will be recording and uploading videos of a capellas of key tracks from the album. I think this process shows a dope, stripped down picture of the lyrics on the album. These A Capellas were recorded in my bedroom in Callao, Madrid, España. More will be on the way!

Jade Eyes

These jade eyes are straight lies that bind us

These jade eyes

These jade eyes are straight lies that bind us/ One mind we design our own island/ Or so I thought as I thrust my paw on her/ Didn’t think that I could do her such dishonor/ Back away and I nod my head/ These pretty lights can really play and they’re rocking it/ And these kids eat it up like Lox and spread/ As the clock is lost and we forget our beds/ The jade eyes stay with me and I see her/ Kissing on the dude who arrived in the beamer/ Guess I had weak pop tonight Elisa Steamer/ The jade just caught the light and all disappears/ But she stays florescent cold as December in this northern state that’s the greyest in the hemisphere/ Just like lemmings I follow the trap/ Wonder if she gets off on withholding that vag because

These jade eyes are straight lies that bind us

These jade eyes

Contradiction many been up her blouse/ But my fingers are some splinters she can do without/ This week’s been weak grime and grout/ Games every day every way tagged out/ But I’m glad for the no’s the strep and the colds/ The effect of the soul/ Is it’s left invincible/ Try me all you want these jade eyes still haunt me/ Thought if I got her I’d find some sense of belonging/ After the show all filed out to rides home/ Chose to feign fatigue said peace to the folks/ Got home restless with the image in my mind/ Of her curves her shirt and her perfect jade eyes/ And I dealt with it the only way I know how/ With the guitar and drums turned up way too loud/And as all else slept and tired of the bass/ In it’s beautiful hum I found a place

These jade eyes are straight lies that bind us

These jade eyes

Wake Up

Wake up/ But it’s so hard to do/ The floor’s cold think I’ll stay up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 6 in the afternoon/Wake up/ But it’s so hard to do/ The floor’s cold think I’ll stay up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 5 in the afternoon/

These mind games she plays are amazing/ Every time I find gains turn out to be lies lately/ Been too many years/ Not to see it clear/ Though she might flirt and veer/ The thing is not changing/ Used to be long and lanky/ Now I got cheeks/ no exercise exacerbates angst greatly/ Painstakingly wait patiently by the phone/ Waste hours just watch Hoarders and drone/ But I swear to god I’m over it/ I entered this war alone/ And on my own/ I’m done with the soldering/ I don’t deserve it and neither do you/ As you fuck whoever cuz I’m tired and through

Wake up/ But it’s so hard to do/ The floor’s cold think I’ll live up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 5 in the afternoon/ Just wake up/ But it’s so hard to do/ The floor’s cold think I’ll live up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 5 in the afternoon/ I wake up

My invitations seems to be a game/ Imitations pixelated frames on your playstation tres/ She sees me in a friendly way/ And just seems to say things that a friend would say/ But I let the winks and smily faced texts get to me/ Stupidly imagine actions we don’t end up doing/ Telling myself lies as my mental health slides into fantasy attraction chosen so randomly/ No use looking for accuracy/ Cupid shoots and the damage done collaterally/ So if it wasn’t for this pen and this pad and this beat/ I would have been as sad as I was mad at seventeen/ Let’s get it all out and throw it on the table/ Don’t know if I loved her is a twenty year old able?/ But her burn once hurt so painful/ Until I turned the scar into my angel

Wake up/ But it’s so hard to do/ The floor’s cold think I’ll live up inside this dew/ This pillow provides more support than you/ As I’ stay in bed till 5 in the afternoon/Wake up/ But it’s so hard to do/ The floor’s cold think I’ll stay up inside this dew/ This pillow provides more support than you/ As I stay in bed till 5 in the afternoon/I Wake up

Reflection and Response

-P

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Snapshots From The Collective

Trip to Salamanca (Madrid, España) by Antonio Guerrero Acosta

Reflection and Response.

The Snapshots From the Collective series works to create a space for Reflection and Response through photography. ANYone who wants to contribute ANY photos to this project can email us submissions at the.lifestyle.rr@gmail.com. One photo will be posted each week, and photos will only be used for the purposes of this series. Thank you and we look forward to building and expanding the Collective!!! -P & V

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Peter Muller and Vivian Garcia

Whatup!!

Recently I’ve been working on music with Vivian Garcia, a talented performer who has extensive experience in the Chicago music scene. We met here in Madrid at the Thursday night open mic at Triskel Tavern. Soon after contacting her in December we began working together. Over the last few months we’ve done concerts around Madrid. V has provided some dope flyers and images for shows we’ve done:

I’ve also been recording some versions of some tracks we’ve been working on on my home studio here in Madrid using Ableton Live as my DAW.

Chan Chan is a track composed by Cuban composer and pianist Compay Segundo. Vivian is on vocals and plays rhythm guitar while I play leads.

Fool Me Once is a Vivain Garcia original. Again she is on vocals and rhythm guitar and I am playing leads.

 

Stay tuned for news about Peter and Vivian as we move into the future.

 

Reflection and Response.

-P

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Shake This Maze: The Whereabouts of the “First Fifty”

As we move into production for the 2nd Edition, here’s a look back at the whereabouts of the “First Fifty,” the original Shake This Maze, 1st edition units, now scattered internationally. Much love for all the support, let’s keep building the Collective! Reach out to us on twitter @LIFESTYLE_RR or through email at the.lifestyle.rr@gmail.com and let us know which individual units ended up where…V’s got No. 19/50 in Brooklyn, NY, and P’s got No. 47/50 in Madrid, Spain..

Reflection and Response.

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Feature: Vivian Garcia

Vivian Garcia has a wealth of experience as an artist. She has graced stages on multiple continents and draws from influences that are so varied yet performs each with grace and skill. A gifted vocalist who recently began accompanying herself on the guitar, Vivan has been involved with musicians and scenes located on both sides of the Atlantic Ocean and has connected with a global network of talented people.  We are extremely proud and excited to host her feature. Peep the dialogue below and check out her original track “Cold Bed,” and a link to her sound cloud following her words.

Leading off with some basics, where are you from? And where are you at?

VG: I am from Chicago, Illinois and a child of Cuban immigrants. I was raised on the north side of the city and glad of it as it is the most diverse part. Growing up I had friends who were Armenian, Turkish, Jamaican,Haitian, Philipino, Jordanian, Puerto Rican, Mexican, Cuban, Romanian,Indian, Pakistani, Assyrian…the list goes on. I did not realize then how influential the contact of these cultures would be in my music and my overall formation as a human being. I would not have it any other way.

I currently live in Madrid, Spain. I have been here since the fall of 2010 working on an M.A. Spanish and Latin American literature. I dreamed of living in Spain since I was 18. I tried as an undergrad to enter a study abroad program but was not accepted. In 2002, I tried once more, this time to a M.A. Program and was again not granted acceptance. In 2005, I left a post as an administrator for an alternative school system in Chicago to FINALLY come live in Spain. I studied Flamenco guitar for 3 months in Granada ( still my FAVORITE Spanish city) and from that point on vowed to return as often as possible.  In 2009 I returned to Granada to again take Flamenco guitar lessons at the Carmen de Las Cuevas school and in 2010 was FINALLY granted admission to a Master´s program at Saint Louis University in Madrid.

 I spend my time between my two muses, literature and music as well as the two cities Chicago and Madrid. I go home over the summers and Christmas to play shows and visit with family so it is not uncommon for my friends on FB to wonder which city I am residing in at any given moment.

What does Reflection and Response mean to you?

VG: I believe that art, in any of its mediums is not a passive endeavor. While some forms are created in solitary moments, painting for example, it is still a synthesis of the artists experiences with life, friends, family etc. and that same work then resonates in many different ways with viewers depending on their frame of mind and frame of reference, which even if silent, results in a dialogue. Music, well, on the one hand it is solitary in the moments of learning to play one’s instrument, but after that it can be a very communal and fluid experience. My time in Madrid has made me EXTREMELY grateful to have the ability to play and sing because it has allowed me to participate in spontaneous jam sessions in the plazas and parks here with people from all over the world just passing through. We have not always had a common spoken language, but the idiom of music has allowed for profound exchanges to transpire and suddenly, it is not just the people playing or singing involved, it is a whole circle of “spectators” who are now ACTIVELY participating in and helping to create the art in that moment.

I am a big fan of breaking down those rigid definitions of passive audience and active artist and so anytime there is a way to bring everyone into the fold it is a beautiful thing. I would say though, that transitioning from live performance to recording has been tough for me in the sense that I am not physically part of the instantaneous response to the art. It is a nice feeling though when people say they have been listening to a particular song on their own time in their own space and able to articulate how that theme resonates with them so I guess the reflection and response part comes in then 🙂

How do your current artistic endeavors fit in with that definition?


VG: I am in a huge stage of transition in ALL aspects of my life. At times it can be really challenging to know who I am or where I am because of living in two different countries, cultures, groups of friends. The common denominator has been my music. I have performed cover songs form most of my musical career. I am not ashamed of that-in fact I love interpreting great songs a new way.  Now, because I have just recently started to create new music and actually record it and THEN actually share it, my friends and family in Chicago and elsewhere have the opportunity to comment on what I have been creating here in Madrid. The feedback has been lovely, if at times overwhelming. It has though engendered a new dialogue…musicians I have collaborated with in the past back home are hearing the stuff I play here and want to make plans to create when I get home for the summer. I am hoping it is not too grandiose of a plan to try to get some trans continental stuff going and have musicians from both locations working together on the same pieces. I am not technologically savvy so we will see if I can get to that point.

What else have you been working on recently? What are you looking to work on next?

VG: I still perform covers when asked to play longer shows but in connection with the last question, I am really excited about the work I have been doing with Peter Muller. Really, it has come as a pleasant but wonderful surprise how two people from totally different backgrounds and generations..I am not a grandma but.ok lets just say I grew up in the 80´s , anyway it´s great that we can just click and make things happen.  I come in with a chord or two or one line of verse and suddenly there is a whole song. We jokingly call a side project the “dregs” because after we are finished recording whatever it is we are working on for the day there is some kind of awesome spontaneous instrumental number that just surfaces. I would like to see in the months to come where we can go with this.

Who or what inspires you?

VG: In general the people who inspire me are everyday folks who even with extenuating or stressful circumstances find it in their person to be kind and giving to others. Truly, I am a believer that people flourish and become their best selves when shown support, and kindness and nurturing. There is a quote which I feel best embodies this notion:“Too often we underestimate the power of a touch, a smile, a kind word, a listening ear, an honest compliment, or the smallest act of caring, all of which have the potential to turn a life around.”-
Leo F. Buscaglia

On a musical level, man, there is no dearth of people who inspire but if I have to be true to myself, it is seeing women, young or from previous generations who sing and play their own music. I listened to lots of Billie (Holliday) and Ella (Fitzgerald) as a young woman but truly grew to appreciate Nina Simone as I got older and realized just how amazing she was as a composer and performer. Currently, I am really digging on Esperanza Spaulding, Lianne la Havas, Nneka, Asa, and let me not forget Tracy Chapman. I think listening to her and seeing her in concert a few times in college made me want to pick up the guitar and play. And in the world of Spanish music….I love Bebe and Amparanoia.

Shout out to…?

VG: Well, I definitely have to thank my sister Laura Garcia who may not always agree with the path I have chosen but has always supported it. The Q4 collective in Chicago and Multi Kulti for allowing me to play so many great shows.  For sure all the musicians in Pilsen in Chicago…amazing amazing talent in ONE neighborhood. I have been lucky enough to be accompanied by some wonderful son jarocho groups 🙂 And in Madrid…well shout out to the Triskel open mic regulars. I can´t believe how many uber talented people come to share their music in one crowded basement! Last but not least Domenichi Morris and Ricardo Chavez, my awesomely talented musical partners in crime these past few years in Chicago!

Cold Bed by Vivian Garcia.

Slide guitar by Peter Muller

Listen to Vivian Garcia on Soundcloud

-Reflection and Response

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Shake This Maze Album Release Party

On Friday March 23rd we did the first Shake This Maze album release party at an apartment in La Latina, Madrid. We brought our own PA and rearranged some furnitaure that made the living room into a fitting venue. Special thanks to Danny Kaufman, Katie Wear, and the incredibly talented Vivian Garcia for helping us make this independent project debut pop. Reflection and Response is live out here.

Reflection and Response

-P

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SHAKE THIS MAZE

Shake This Maze

Shake This Maze is a project that started sometime around 2009 in Buenos Aires when I decided to get back into writing more personal lyrics. During this time I had the good fortune to be able to work with talented musicians both inside and outside of the city of Buenos Aires. Conversations about life in Buenos Aires can be heard on “The Villa,” which was recorded in Villa Carraza, a low-income area outside of the city. While in Argentina I also work with a woman with an amazing voice whose version of “The City,” brought out such soulful tones in the track.

After moving back to Seattle to finish school at the University of Washington I formed a group called 55thandBrooklyn, and tracks such as “Past That,” “Wake Up,” “He’s Your Guy,” and “The Christmas Song,” were part of the live set of 55th later performed live around Seattle at venues such as Fourno’s, Lucid, and Waid’s in early 2011. After graduation in March 2011, I got a job at Duke’s Chowder house, a Seattle seafood chain restaurant. The members of 55th had gone their separate ways and I focused on solo lyrics accompanied by acoustic guitar. Experiences from Seattle during this period crafted through this type arrangement can be heard on “This job,” “Making Spaces,” and “Jade Eyes.” Final recording of these later tracks was done in two different apartment studios in Madrid, Spain.

The final two tracks of the album were projects begun years before I even left for college. “Livin on the West Coast” comes from the P.Muller and Sneaky V days of 2002-2006 when V and I first started messing with composition and arranging music with Garage Band in Berkeley. In  “Spark This Shit Flaming” I used a beat from Seattle that samples me playing drums from my parents basement in 2003.Then in Spain I wrote the lyrics and recorded and mastered the track.

I started out using Logic Express 8 in Argentina and finished up with Ableton Suite 8. I have used the same Apogee one interface and MXL V88 mic for 3 years.

While the tracks mostly come from me, this project is 100% collaboration between V and I. If it weren’t for his idea to start this project, there’d be no album. If it weren’t for his craftsmanship, the tracks would have no presentation.

In order to purchase the album:

-Directly from Peter in Madrid at upcoming shows, album release parties, open mics, other shows or contact at the.lifestyle.rr@gmail.com

-Directly from Vicken in the New York City area or contact V at the.lifestyle.rr@gmail.com

-For orders not in Madrid or New York City…

Shake This Maze USA:

Buy Now USA

Shake This Maze Europa:

Buy Now Europa

-8€ for European orders and $10 for orders in the United States. All other currencies are accepted.

An important idea of the album comes from the title track: “Shake this maze to the core with these chords and verses/Mix genres like cops, johns, whores, and virgins/Turn the source of hurting into a sense of pride/ Find the gold on the shipwrecks of life.” Music for me has been a main source of Reflection and Response, and the tracks on this album are just that: Reflections on everyday experience. This release is an ultimate Response.

The making of the album artwork was a handcrafted process involving 6 stages and multiple mediums. We started by ordering 50 blank recycled chipboard album covers and some CD sleeves from the good folks over at Stumptown Printers, and Shake This Maze was soon on its way…

1. Cover Art, Part 1: Acrylic paint stencil

I started the cover art by cutting a stencil of the “PM” logo that I had created for Peter about a month ago. An old-school classic stencil made from the basics: a manila folder and an exacto blade. Using red acrylic paint and a brush, I hand stenciled this first layer on the units.

2. Cover Art, Part 2: India ink stencil

Next, I cut another stencil of the lettering I drew up for the album title, Shake This Maze. Using india ink and a brush, I centered this second layer over the red “PM” backdrop.

3. Back Cover

For the back cover (not pictured) I hand-wrote some credits with a Pigma Micron #8 pen..

4. Tracklist

Moving on to the tracklists, I used a Pigma Brush pen to write the song titles. I also marked each unit with a 1/50, 2/50….49/50, 50/50.. on the right inside cover. It would be dope to see where all of these end up, so hit us up with the whereabouts.. we might have to set up a map to keep track!

5. CD Labels

I printed the “PM” logo and the “Shake This Maze” lettering on Brown Kraft CD Labels, which we then threw on each CD..

6. Assembly

Finally, using a hot glue gun, I folded and assembled each case. Look for more goods in the inside left pocket too!!

This was a dope collaborative project to work on, and it’s amazing how each album case turns out to be unique in some way – whether it’s slightly different placement of the cover lettering stencils, or the individually numbered inside pocket…they all have their own vibe and character! I think this handcrafted approach is the only fitting way to showcase Peter’s original, honest, and raw creative talent. Reflection and Response.

V.

Reflection and Response.

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Shake This Maze Pre Release Post

Shake This Maze is a compilation of tracks I made from 2009-2012. The recording of the album was done by me in Seattle, Washington, Berkeley, California, Oregon, Buenos Aires, Argentina, and Madrid, Spain. The songs feature talent from most of those places who each add their own flavor to the tracks on which they appear. The title is taken from the chorus of a track off the album, entitled “Shake This Maze.”

V and I are putting out this album 100% independently. V has provided original handcrafted artwork and branding. From the logo to distribution, recording to shipping, this album comes from the LIFESTYLE collective’s international network.

We’re finishing the last touches on the CD and will be proud to bring you the final version very soon!!! Thanks for the support!!

Reflection and Response.

-P

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The City’s Windows

Madrid March 5th.

In both of these pics I focused on the reflective/perspective power of windows. The laborer in the first pic contrasts with the “CERRADO,” nature of the shop. In the pic below, I cut out some words of a sign and just left “POR FAVOR,” with some bars.

-P

Reflection and Response

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